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Nosferatu the Vampyre (1979)

Nosferatu: Phantom der Nacht (original title)
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2:14 | Trailer
Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror.

Director:

Werner Herzog

Writer:

Werner Herzog
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Popularity
3,557 ( 173)
5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Klaus Kinski ... Count Dracula
Isabelle Adjani ... Lucy Harker
Bruno Ganz ... Jonathan Harker
Roland Topor ... Renfield
Walter Ladengast Walter Ladengast ... Dr. Van Helsing
Dan van Husen ... Warden
Jan Groth ... Harbormaster
Carsten Bodinus Carsten Bodinus ... Schrader
Martje Grohmann Martje Grohmann ... Mina
Rijk de Gooyer ... Town official (as Ryk de Gooyer)
Clemens Scheitz Clemens Scheitz ... Clerk
Lo van Hensbergen Lo van Hensbergen ... Harbormaster's Assistent
John Leddy John Leddy ... Coachman
Margiet van Hartingsveld Margiet van Hartingsveld ... Vrouw
Tim Beekman Tim Beekman ... Coffinbearer
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Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Wismar where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Wismar, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die. Written by Yepok

Plot Summary | Plot Synopsis

Genres:

Drama | Horror

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

West Germany | France

Language:

German | English | Romany

Release Date:

15 February 1979 (Italy) See more »

Also Known As:

Nosferatu the Vampyre See more »

Filming Locations:

Tatra Mountains, Slovakia See more »

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Box Office

Cumulative Worldwide Gross:

$2,874
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The Tenant (1976) is based on the novel "The Tenant" by Roland Topor and features actress Isabelle Adjani. Topor later co-starred with Adjani in Werner Herzog's film Nosferatu the Vampyre (1979), See more »

Goofs

Though everyone on the ship dies during its voyage with Dracula aboard, including its captain, it still manages to miraculously reach its intended destination, the very town in which Lucy and Jonathan live. Even assuming Dracula was a competent navigator, the ship would be left to wander aimlessly through the daylight hours, rendering it completely unfeasible that it could arrive before Jonathan. See more »

Quotes

Count Dracula: [subtitled version] Time is an abyss...
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Alternate Versions

There is an English-language version which was dubbed, and is about 90 seconds shorter than the original German-language version. Some alternate takes were used, and written language appears in the correct language for that region. See more »

Connections

Version of Dracula (2002) See more »

Soundtracks

Vocal Ensemble Gordela: 'Zinzkaro'
Georgian folk music (uncredited)
Performed by Vocal Ansambl Gordela (uncredited)
See more »

Frequently Asked Questions

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User Reviews

 
Kinski Rules
21 March 2006 | by HitchcocSee all my reviews

I saw this as part of a double feature with Aguirre: The Wrath of God. Needless to say, it wasn't an evening of giggles. This is a film from beginning to end about pestilence. There is the actual plague. There are characters who are walking demonstrations of pestilence. There is the sad, defeated, Count who, as we all know, is not happy with his condition, but is programmed to steep himself in blood. The characters of Kinski and Adjani are on a collision course. Only through human sacrifice and lust can this demon be destroyed. It's a gray, striking film, full of sadness and despair. Kinski is visually stunning as the vampire. He is remindful of count Orlock in the Murnau film. There is more sensuality in this film (there are less limitations). Still, like its predecessor, the star of the show is death and the scenes with the rats and the people dancing away their last days, the coffins carried through the streets, are as striking as any performance. Herzog brings out the weight of human despair.


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