A man's best friend is killed on the streets of New York City. The man (Robert Ginty) then transforms into a violent killer, turning New York City into a great war zone, and Christopher George is the only one to stop him.
When his wife and son are brutalized by thugs and a corrupt criminal justice system puts the perpetrators back on the street, a New York City factory worker turns vigilante to find some measure of bloody justice.
A cyborg is programmed to kill a scientist who holds the fate of mankind in his hands. He fails and hides in a diner in a desert run by a woman who likes him. The people who sent him are after him and so is the local arm wrestling champ.
In the near future, a teenage couple are trapped in a drive-in theater which has become a concentration camp for social outcasts. The inmates are treated to drugs, exploitation films, junk food, and new wave music.
After a nuclear war, society breaks down into two groups, the evil Euraks and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which ... See full summary »
An archaeology professor discovers an ancient crypt which contains living dead corpses. The zombies go on a rampage and attack a group of people which the professor had invited to celebrate his discovery.
When John Eastland's best friend, Michael Jefferson, is mugged and left permanently crippled, he decides to do something about it. Jefferson had saved Eastland's life in Vietnam and now it's time for Eastland to get revenge for his friend. Using his old Army gear he sets out on a crusade to clean up the streets of New York using the name "The Exterminator."Written by
David Bongo <email@example.com>
Detective James Dalton (Christopher George) finds a copy of "The Anarchist's Cookbook" in Eastland's apartment. See more »
The 1968 Chevelle in the opening scenes has no vent windows, like a 1969 Chevelle would have. In subsequent shots, the Chevelle has vent windows. They can clearly be seen after the Chevelle crashes. See more »
The man was nothing but a nigger.
See more »
"The producer" is credited as burping ghoul See more »
Finnish VHS version is cut over 10 minutes, it's missing:
The infamous decapitation (later on the film, an ultra-fast glimpse of this scene is shown uncut in a flashback). 2. A Nam-soldier walking from the bleeding torso body wiping his machete. 3. A Nam soldier trying to remove a wire from his bleeding throat. 4. Michael shooting a Nam soldier. 5. A Nam soldier fusing in flames. 6. A Nam soldier running to water in flames. 7. Ginty shooting the Nam-leader who is in the water (later on the film, this same shot is shown in an even more graphic angle in a flashback, completely uncut!). 8. The "Ghetto Ghouls" beating Michael (almost completely cut, all the actual beating deleted).
THE EXTERMINATOR is a "fun" piece of 80's exploit-style cinema that is an enjoyable film all-around, for people who dig this sort of thing. Decent acting, a strong storyline, some "rough" violence, and the gritty early 80's New York City environments up the entertainment-value of this straight-faced B-entry...
John and Michael were in 'Nam together, where Michael saved Johns life from Charlie. Living back in New York after the war, John and Mike remain best-buddies and work at the same warehouse. One day, the two of them divert some robbers from the Ghetto Ghouls gang from rippin' off the warehouse, and the gang members don't take to kindly to bein' interrupted. The gang members find Michael walking home from work one day, jump him, and leave him paralyzed. John takes this pretty hard (to say the least...) and goes gunnin' for the Ghouls. After dispatching some of them, he decides the city needs some "cleaning up" - and goes on to attack a mob boss, a sleazy kiddie-prostitution ring leader and his chickenhawk client, and the remaining members of the Ghetto Ghouls. Meanwhile, a tough cop and the CIA is on the case of "The Exterminator", and are lookin' to bring him down...
This one is pretty action-packed right from the jump. The opening 'Nam scene sets the stage for what's to come as one of John's Army pals is beheaded graphically, in a scene that proves that with the right machete, you can take a head off like a knife through butter. Rather than being strictly a revenge/vigilante exploit film though, the character development is enough to really feel the bond between John and Michael, and makes it easy to root for John as he's blastin' his way through the city. Definitely worth a look to 80's U.S. exploit fans - team this one up with VICE SQUAD for a double-feature night and you'll be set...8.5/10
18 of 25 people found this review helpful.
Was this review helpful to you?
| Report this