Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
It's the post-World War I era. Britons Harold Abrahams and Eric Liddell are both naturally gifted fast sprinters, but approach running and how it fits into their respective lives differently. The son of a Lithuanian Jew, Harold, who lives a somewhat privileged life as a student at Cambridge, uses being the fastest to overcome what he sees as the obstacles he faces in life as a Jew despite that privilege. In his words to paraphrase an old adage, he is often invited to the trough, but isn't allowed to drink. His running prowess does earn him the respect of his classmates, especially his running teammates, and to some extent the school administration, if only he maintains what they consider proper gentlemanly decorum, which isn't always the case in their minds. Born in China, the son of Christian missionaries, Eric, a Scot, is a devout member of the Church of Scotland who eventually wants to return to that missionary work. He sees running as a win-win in that the notoriety of being fast ...Written by
The scene in which Harold Abrahams first sees Sybil Gordon, singing as Yum-Yum in "The Mikado", is based on either a mistake of fact or a deliberate alteration to make the story more romantic. In real-life, the name of Harold Abrahams' bride was Sybil Evers. Evers was a member of the D'Oyly Carte Opera Company, but while Sybil Gordon was its principal soprano, Sybil Evers was a minor soprano, who sang the role of Peep-Bo The Mikado, not the lead role of Yum-Yum as it appears in the movie. Also, she only appeared with the D'Oyly Carte company for one season, 1930 to 1931. Evers and Abrahams did not meet until 1934, ten years after Abrahams' Olympic victory. They were married in 1936. (In real-life, while he was a Cambridge student, Abrahams was engaged to a young woman, Christina McLeod Innes, but they broke up when he decided to devote himself full time to athletics and the Olympics.) See more »
Lord Lindsay (real name: Lord Burghley) and Aubrey Montague are shown attending Harold Abrahams' memorial service in 1978. In reality Aubrey Montague died on 30th January 1948, 30 years earlier. See more »
Lord Andrew Lindsay:
Let us praise famous men and our fathers that begat us. All these men were honoured in their generations and were a glory in their days. We are here today to give thanks for the life of Harold Abrahams. To honour the legend. Now there are just two of us - young Aubrey Montague and myself - who can close our eyes and remember those few young men with hope in our hearts and wings on our heels.
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There is at least one slightly different version of the movie, issued in Europe on homevideo. The beginning is different - shorter - and introduces Harold Abrahams while playing cricket with his colleagues. The scene in the train station, where Monty meets Harold is absent, as well as the loading of the baggage in the taxi they share. We simply see Monty writing a letter to his parents, mentioning that "Harold is as intense as ever" (cut to the cricket scene, maybe 30 seconds long), and then continues with "I remember our first day... we shared a taxi together" (cut to the two students unloading their stuff from the car). This alternate version also have slightly different end credits, and does not mention Harold marrying Sybil. The differences are minor (the U.S. version provides a more shocking memento of WWI, when it shows crippled baggage handlers in the station); one of the reasons the cricket scene was dropped in favour of the station one was due to the distributor's worry that the American market would not understand it. See more »
Much more than just another sports movie, CoF analyzes the very different reasons two men have for devoting so much of their lives to training for the Olympics. This in an era when there were no commercial sponsors and no lucrative endorsement contracts. Though there is always fame and personal satisfaction, it seems to be implied that these things alone are insufficient to explain the special forces that drive these two men so much more than all the others.
This is a truly beautiful movie about a different era, about competition and what may serve as motivation to compete--and perhaps about what kinds of motivation are healthy and what kinds are not.
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