A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
Foreigners who apply to become Swiss citizens have no easy task - especially when the police lets Bodmer loose to check upon their background, their integration in the society, and the ... See full summary »
Benjy Stone is the junior writer on the top rated variety/comedy show, in the mid 50s (the early years). Its a new medium and the rules were not fully established. Alan Swann, an Erol Flynn type actor with a drinking problem is to be that weeks guest star. When King Kaiser, the headliner wants to throw Swann off the show, Benjy makes a pitch to save his childhood hero, and is made Swann's babysitter. On top of this, a union boss doesn't care for Kaiser's parody of him and has plans to stop the show.Written by
John Vogel <email@example.com>
When Benjy and Swann are in the limo after meeting Benjy's family, the drink decanter and glass swap in Swann's hands between the first and second shot. See more »
First rule: never tell a joke sitting down. You have to be on your feet - and use your hands: This guy walks into a Psychiatrist's office. He has a duck on his head. The Psychiatrist says, "Can I help you?" The duck says, "Yeah, get this guy off my ass."
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The version of "My Favorite Year" syndicated to (American) broadcast television contains at least three extra scenes:
At the beginning of the film, Benjy Stone is carrying a cardboard cutout of Alan Swann into the RCA Building; as he dashes to an elevator in the lobby, the theatrical version jumps to Benjy's arrival in the writers' office. But in the broadcast version, we see Benjy take the elevator up; also on the elevator is K.C., who ignores Benjy's attempts to engage her in conversation.
The broadcast version extends the rehearsal of the "Boss Hijack" sketch to include several more pieces of business, including the illusion of steam shooting out of King Kaiser's ears.
Following Benjy and Alan's wild horse ride through Central Park, the broadcast version adds a shot of the horse parked in front of the Waldorf Astoria Hotel.
A surprising little (dare I say it?) O'Toole vehicle (I said it)
Unaware of Mel Brooks's uncredited contribution and of most of the obvious parallels to real life, I began watching this and was eventually surprised I had heard so little of this minor nugget. While it is actually true that the humour here isn't too original, the execution is so irresistibly sure all can be forgiven. Even certain emotional, life lesson -like moments didn't bother me, for they have been done with utmost class.
The film flows flawlessly through its duration, and hardly anything seems out of place; there's no forced (I stress that word) emotionality to be found. Those things alone are something you don't often get. It has a splendid look to it, with the bright colours and the design, the costumes contributing to the wonderfully old-fashioned and fresh feel it has (how convenient).
The script is full of almost-priceless moments and witty one-liners and otherwise hilarious dialogue. I would imagine the film is of high re-watch value. It is by no means without its share of problems, though. As said, there's little that's not been done elsewhere, but the finished film works so well as a whole I can but say that all the praise is deserved. Needless to say, while the rest of the cast delivers, it is O'Toole's magnificently (un)steady and hilarious performance that lifts this one to heights.
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