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The Adventures of Sherlock Holmes 

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Sherlock Holmes and Dr Watson solve the mysteries of copper beeches, a Greek interpreter, the Norwood builder, a resident patient, the red-headed league, and one final problem.

Creator:

John Hawkesworth
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Popularity
1,676 ( 150)

Episodes

Seasons


Years



2   1  
1985   1984  
Top Rated TV #85 | See the Top Rated TV as rated by our users.

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Cast

Series cast summary:
Jeremy Brett ...  Sherlock Holmes 13 episodes, 1984-1985
David Burke ...  Dr Watson / ... 13 episodes, 1984-1985
Rosalie Williams ...  Mrs Hudson / ... 8 episodes, 1984-1985
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Storyline

Sherlock Holmes and Dr. Watson investigate a scandal in Bohemia involving Irene Adler, chalk drawings of dancing men, the identity of a crooked man, a missing naval treaty, a solitary cyclist's mysterious follower, the dangers of a speckled band, and a blue carbuncle found in the crop of a goose. Written by PompeyV

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Genres:

Crime | Drama | Mystery

Certificate:

TV-PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

14 March 1985 (USA) See more »

Also Known As:

Sherlock Holmes See more »

Company Credits

Production Co:

Granada Television See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(13 episodes)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Closing credits show some of Sidney Paget's illustrations for the stories originally published in the Strand Magazine. See more »

Connections

Referenced in Sherlock Holmes: Mystery of the Mummy (2002) See more »

Soundtracks

221b Baker Street
Theme tune
Composed and conducted by Patrick Gowers
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Frequently Asked Questions

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User Reviews

Definitive in all respects
3 June 2004 | by alfa-16See all my reviews

If you are going to buy one Conan Doyle DVD let this be it. If you're going to watch a single episode, let it be The Crooked Man.

For this is as good as it gets. We have a glorious incarnation of Holmes and Watson here. Brett's Holmes - cantankerous, affected, whimsical, rude, arrogant, precipitous, charming - can only have been drawn from the deepest possible understanding of the text. There have been similar efforts along the same lines, though none so successful. No other Holmes has come close to Brett's portrayal of the brilliant but obsessed mind, teetering on the knife edge dividing madness and genius.

Brett's portrayal of Holmes is enough to lift this series above any other. But Granada (who are damn good at this sort of thing when they try) have nailed the two other vital essences of the stories and this makes their achievement unique.

Firstly we have a totally new take on Watson, a brisk, wonderfully intelligent man of action, a fearless fellow crime fighter and stalwart support. As David Burke leads Holmes round the Aldershot camp in The Crooked Man, you understand exactly what Holmes found appealing in the bluff ex-soldier, who chronicles his victories, appreciates and learns his methods and soothes his clients when Holme's interrogation causes offence. This is new and unsurpassed. I prefer Burke's to Hardwicke's more thoughtful Watson. Both are top drawer character actors with fantastic credits, but for me, Burke has an impulsiveness and breezy candour that gives his Watson extra light and colour. Hardwicke, in the later series, does a lot more to suggest the difficulty of living with a man like Holmes.

An even more significant achievement is the recreation of the deft energy, economy and speed with which Conan Doyle transports his audiences into the heart of Victorian London. Only Dickens did it with anything like the same authority and style. Lovers of the fantastic Sydney Paget illustrations will recognise his work everywhere in the props and scenery. Many of the more famous illustrations are lovingly recreated, but this is really about the chemistry of detail and pace. Granada have the formula just right. So perfect in fact, that when they try to extend it to feature length, it fails, just as Conan Doyle failed in his own attempts to extend the format to novel-length stories. The longer pieces are again, the weakest of the set.

If this disk doesn't fill you with delight, go back to the text, read again and look again, or you risk undervaluing one of the greatest achievements of TV drama.

Sir Arthur, I'm sure, would have been both delighted and impressed.


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