Biography of director George Stevens by his son. It includes clips from many of his films with commentary by the actors and by directors such as Frank Capra, John Huston and Alan Pakula, ...
See full summary »
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
Produced and narrated by George Stevens Jr., this short documentary uses footage taken by his father when he was in the Army Signal Corps and follows American troops from D-Day in June 1944 to their stand in Berlin in May 1945.
San Francisco ex-con Eddie Pedak wants to go straight but local cop Mike Vido, motivated by a personal vendetta, keeps harassing him while Eddie's brother, Walter, wants Eddie for one last major heist.
Biography of director George Stevens by his son. It includes clips from many of his films with commentary by the actors and by directors such as Frank Capra, John Huston and Alan Pakula, among others. Also included are Stevens's war "home movies," found only after his death. Assigned by Eisenhower to film the war in Europe, Stevens used the opportunity to produce, at the same time, the only color footage ever shot in World War II. There is breathtaking film of D-Day and its aftermath; the triumphal march through Paris of the Allied liberators; and the unspeakable horrors of Dachau. This is what Goya might have done with a movie camera. On a more mundane level is a segment on Cecil B. DeMille's 1950 underhanded attempt to oust Joseph L. Mankiewicz, then president, from the Directors' Guild, which Stevens was instrumental in blocking.Written by
Jacqueline Jarvis <firstname.lastname@example.org>
I think George Jr. is using his position at the American Film Institute to "manage" his father's legacy---which is wrong. The impact of George Stevens' work should be judged on its own merits. His films speak for themselves, and it's embarrassing to see a son canonize his father so publicly.
I'm proud of my dad too, but I wouldn't erect a monument to him for being one of America's all-time great little league coaches.
If George Stevens' films are important (they are) and stand the test of time (they do), then let others praise this unique American artist. For a son to create documentaries about (and name AFI awards after) his father is a tacky cry for attention. "Hey, don't forget my dad! He was a great American filmmaker!" Usually, TV producers will see the potential of (or a market for) a documentary about a great American filmmaker and ask the artist's family to participate by donating old photos and agreeing to be interviewed on-camera. George Jr. apparently grew impatient waiting for such an offer. Possibly he feared no offer would ever come...so he produced his own documentary. And all to build up his father's legacy.
1 of 6 people found this review helpful.
Was this review helpful to you?
| Report this