Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and ... See full summary »
Peter Gunn investigates the murder of Scarlotti, a mobster who once saved the detective's life. The primary suspect appears to be Fusco, who has taken over. In the middle of the case, an ... See full summary »
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Two friends, an actor and a chef, discover a plot to fix a horse race and try to capitalize on it. But they must also deal with the two men who fixed the race, who are trying to silence them. Then there's the mob boss the two guys work for, who planned the fix, and whose wife is having an affair with the actor.Written by
This movie was originally announced as both a starring vehicle for Richard Pryor and Burt Reynolds and to be a remake of Laurel & Hardy's famous short subject The Music Box (1932). The movie's "A Fine Mess" title is a tangential reference to the famous catchphrase of Stan Laurel's comic partner Oliver Hardy who regularly said: "Well, here's another nice mess you've gotten me into' which was used in Another Fine Mess (1930) amongst other of their films and other slight variations of the phrase. According to the website Stan Laurel' and Oliver Hardy dot.com, "although Laurel and Hardy made the 1930 film Another Fine Mess (1930), during their film career neither Mr Laurel nor Mr Hardy never [actually] said 'Another Fine Mess'." See more »
At the end of the movie, Spence (on a Western film shoot) walks through the swinging bar doors with a cigar in his mouth. He takes a few steps forward and the size of the cigar has nearly doubled. See more »
[Spence has snuck up to Claudia's bedroom to surprise her]
[Claudia wakes up startled]
[Spence holds up her panties]
In your rush you forgot these.
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A definite "check your brain at the door" comedy, one of the most plot less films ever, but manages some good characters and situations. Danson, pigeon-holed as his "Cheers" character Sam Malone, plays another womanizer here, this time an actor. While shooting a film at a racetrack, he overhears the doping of a philly, and though seen, decides to bet the horse the next day. Two movie-type hit men dingbats spend the next twenty minutes chasing him by foot and car all over the place. Along for the ride is Danson's buddy Mandel, who gets swept up in the madness. There's also an auctioneer, a Mob wife, her grumbling husband, two cops on the trail, and a disgruntled brother in law. Edwards attempt at an all-out comedy comes off here and there, but the film has no real direction. A bunch of gags are clustered along the business of Danson and Mandel avoiding a bullet from the two hitguys. But for whatever reason, I let it slide and just enjoyed what was given. Danson at about 40 and Mandel in his 20s, though never explained how they know each other, had a great chemistry. Seemed like they had been buddies a while, and clicked on-screen. Throw in some Mandel bits like voices or eating soap, and you can't help but laugh. Especially his moment in an Indian restaurant where he disregards the diners and lets loose after eating....something. Danson milks being slapped in the face and chasing women, and an odd boon to the film is the up-beat soundtrack. From the Temptations to Mr. Mister, it came off energetic. In fact, I don't recall any scenes of score used in the film. It all culminates in a chaotic finish involving a piano and another chase, so it may be worth a shot if you're into stretching your funnybone.
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