The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son King Edward VI is on his deathbed. Anxious to keep England true to the Reformation, a...
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Muriel, François and René, three childhood friends from a working class neighbourhood of Marseille, suddenly stop their careers as thieves after having killed a jeweller.To keep a low ... See full summary »
When compulsive gambler Sir Giles Staverley (Christopher Plummer) has lost his estate and all of his money playing dice, he realizes that he only has one thing left of value: his daughter ... See full summary »
Helena Bonham Carter
A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal ... See full summary »
Helena Bonham Carter,
Feodor Chaliapin Jr.
Teenagers Tim Ingram and his friend Rebecca investigate a ghost story involving a boy, Tom Inskip, who mysteriously died in Tim's parents' cottage in 1910. Tim soon discovers eerie parallels between himself and Tim during his final days.
Lawrence Gordon Clark
In a Florence pensione circa 1900 with English guests, George Emerson (Julian Sands) and his dad (Denholm Elliott) offer their rooms with views to Lucy Honeychurch (Helena Bonham Carter) and her chaperone, Charlotte Bartlett (Dame Maggie Smith). Lucy and George get acquainted, but Lucy returns to England. George and Lucy meet again, but now she's engaged.
Helena Bonham Carter,
Gavin is thirty-one-years-old and still lives with his parents. He is awfully shy, but before he knows it, there are three women interested in him. Lady Minerva Munday has a casual way of ... See full summary »
Helena Bonham Carter,
A story about true love, set in the Berlin of the 1920s. In a shabby lodging-house inhabited by a number of faintly ludicrous characters, the young Russian exile Ganin is unexpectedly confronted with his past.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son King Edward VI is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guilford, to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guilford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall.Written by
Samantha Santa Maria <TE7441667@ntuvax.ntu.ac.sg>
Although the movie clearly has rewritten history to make a romance, in reality Jane and Guilford never lived in their own home, nor did they ever live as man and wife in the short time they were together; within a month of the marriage Jane was crowned Queen (and refused to crown Guilford King), and 9 days later they were both in prison, lodged in separate towers, and never had contact again. See more »
The soul takes flight to the world that is invisible. At there arriving, she is assured of bliss, and forever dwells in paradise.
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"The next time I see your face, I want it for eternity." If you know much at all about Lady Jane Grey and her unfortunate marriage to Guildford Dudley, you must know this cannot at all be what she said to him as they were parted for the last time. Yet the story branches away from the historical aspects of Jane's life and builds up a romance completely created in the minds of the writers, who have done an excellent job. In the beginning, the scene at Bradgate in Leicester, with the dance for the King, is extremely well shot. The plot thickens between the cunning Earl of Northumberland and the cold, greedy Duchess of Suffolk, while Jane argues theology with the Catholic doctor. Comparing this with history, I believe this was also very well written; from what I've read on Jane Grey (I have done extensive Tudor period research) I know she was very Protestant and, unlike the later Queen Elizabeth, very willing to argue on the topic of religion. Perhaps my favorite scene in the entire movie is the one where Jane goes to visit the Princess Mary. In this scene the Renaissance class system is extremely well depicted. The outwardly friendly but rather sneaky nature the Princess' maid (I believe that is Lady Anne Wharton) conducts herself shows the "subservience of the lesser nobility"; the proud way Jane speaks to the maid shows what the upper nobility could do; and then the regal, majestic, icy cold way the Princess Mary enters the room and "embraces" her second-cousin is the perfect example of a Princess of two royal bloodlines. Later, the love that blooms between Guildford and Jane will, without a doubt, sweep you off your feet. If you've ever been in love, I guarantee you'll relive some fond memories there. Overall, an excellent movie and highly recommended.
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