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Dear America: Letters Home from Vietnam (1987)

A documentary featuring letters written by U.S. soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news ... See full summary »

Director:

Bill Couturié (as Bill Couturie)

Writers:

Richard Dewhurst (screenplay), Bill Couturié (screenplay) (as Bill Couturie)
Reviews
Won 2 Primetime Emmys. Another 5 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Berenger ... (voice)
Ellen Burstyn ... Mrs. Stocks (voice)
J. Kenneth Campbell ... (voice)
Richard Chaves ... (voice)
Josh Cruze ... (voice)
Willem Dafoe ... Elephant Grass (voice)
Robert De Niro ... Great Sewer (voice)
Brian Dennehy ... (voice)
Kevin Dillon ... Jack (voice)
Matt Dillon ... Mike (voice) (unconfirmed)
Robert Downey Jr. ... (voice)
Michael J. Fox ... Pfc. Raymond Griffiths (voice)
Mark Harmon ... (voice)
John Heard ... Johnny Boy (voice) (unconfirmed)
Fred Hirz Fred Hirz ... (voice)
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Storyline

A documentary featuring letters written by U.S. soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof, augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis


Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

September 1988 (USA) See more »

Also Known As:

Dear America See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Was number nine on Roger Ebert's list of the Best Films of 1988. See more »

Quotes

Mrs. Stocks: [In a letter to her KIA son, left at the Vietnam Memorial] Dear Bill, I came to this black wall again, to see and touch your name. William R. Stocks. And as I do, I wonder if anyone ever stops to realize that next to your name, on this black wall, is your mother's heart. A heart broken fifteen years ago today, when you lost your life in Vietnam. And as I look at your name, I think of how many, many times I used to wonder how scared and homesick you must have been, in that strange country called ...
See more »

Connections

Featured in At the Movies: Crix Pick Prez Flix (1993) See more »

Soundtracks

Born in the U.S.A.
Written and performed by Bruce Springsteen
See more »

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User Reviews

 
Now more than ever.
8 November 2005 | by FilmSnobbySee all my reviews

For close to a decade we simply pretended that it never happened. We lost. It was a mistake. But by the Eighties, the United States, strengthened by distance from the event, spent a lot of cultural capital expatiating the Vietnam War: tell-all books; magisterial policy summaries; sordid and violent fiction; meticulous PBS documentaries; TV dramas (remember *China Beach*?); the magnificent work of art that is the Vietnam War Veterans Memorial; and, of course, movies. Aside from that great and powerful Wall, I believe that this humble HBO documentary, *Dear America: Letters Home from Vietnam* is perhaps the most artful and cogent assessment of the War. 86 minutes in length, it boasts entirely historical footage from both NBC News archives and soldiers' own video, the urgent and timeless rock music of the period, and, of course, the soldiers' letters to their loved ones back in The World.

The letters, ironically, reveal the only blemish to this wonderful film: the somewhat misguided decision to allow celebrity actors to read them. Funnily, most of these actors were "veterans" of Vietnam War movies: Tom Berenger (*Platoon*); Robert De Niro (*The Deer Hunter*); Michael J. Fox and Sean Penn (*Casualties of War*), Robin Williams (*Good Morning, Vietnam*), Martin Sheen (*Apocaylpse Now*), and so on. One can't shake the feeling that the stars must have felt a kinship -- unearned, obviously -- with the average joes who wrote the letters. When you suddenly hear the instantly recognizable voice of, say, Robert De Niro, you are necessarily taken out of the visceral experience that the movie creates. Although I honor the big shots' intentions (they took no pay for this), their services weren't really required, here.

Thankfully, the selections are brief enough so as to minimize any thespian showboating. And this brevity highlights, rather than diminishes, the eloquence, humor, desperation, and meaning of the soldiers' words. They write about the day-to-day routines of camp, the abject terror of hacking their way through elephant grass wherein the unseen enemy lurks, the beauty of an improvised fireworks show (miraculously caught on film, providing a visual accompaniment to the letter), the seedy delights that await the next R&R excursion in Saigon, the despair of losing your best friends in battle, and so much more. Visually, the film may be even more impressive: there's some amazing footage of bombardments, mortar attacks, firefights right in the midst of the action, and the day-to-day horseplay in camp. Perhaps the most stunning footage was shot in Khe Sanh: a group of besieged Marines, anxious to fight, depressed at being shut in, hair slowly growing to mop-top proportions, wax philosophically about their situation even as that situation grows worse day by day. (Ultimately, there were 77 of those days.) Occasionally, their forced calm gets rattled by a devastating mortar attack on their ramparts from the Viet Cong. Just amazing footage. Of real historical value, too. Speaking of amazing and historical, the North Vietnamese footage of American POWs gingerly celebrating Christmas while in custody will haunt you.

On the periphery of all this found footage, director Bill Couturie keeps a chronological record of the Big Picture, with the assistance of the archives of NBC News. (He somehow located the video of the first 3,500 troops who landed in country in 1964!) On each December 31, title cards inform us of the growing death and casualty tolls suffered by American troops -- by the end of 1968, these numbers have grown to horrifying proportions. Couturie doesn't delve into the background of the conflict, and rightly so: this is the soldiers' story, not a thesis paper by a policy wonk. What does emerge, however, is the utter helplessness of those in command, from LBJ to General Westmoreland to Richard Nixon. One gets the sense that our leaders were trapped in a policy of their own devising. No way out. No victory forthcoming, no matter how many bombs we dropped. A war feeding itself; a self-perpetuating machine. These small-minded men clearly had no solutions -- none, at least, that would salvage enough of the nation's honor to mitigate the whole misbegotten enterprise.

Boy, this all sounds familiar, doesn't it? -- read the news lately? Oh well. Santayana's advice about history is always cited and never followed. In any event, this Veteran's Day (three days from now as of this writing), I'll watch *Dear America* -- now on DVD -- with my father, a Vietnam veteran awarded the Bronze Star, Purple Heart, and even a yellowing certificate of Merit from the long-gone South Vietnamese government. For many years, he, like the rest of country, couldn't talk about the war. Now, he looks back on it with wonder, sadness, and pride. For those GenX children of surviving Vietnam Veterans, consider how lucky you are if your Dad was one of the lucky ones to get back to The World alive, and listen, listen, listen. These men and women have much to teach us, now more than ever. *Dear America: Letters Home from Vietnam* can help get that conversation started. Thank you, Mr. Couturie, for this important film.

9 stars out of 10.


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