In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Sonic Youth performs in the music video "Disappearer" from the album "Goo" recorded for Geffen Records. The music video begins with the band in a white room illuminated with a strobe light.... See full summary »
Karen and Richard Carpenter are young musicians living with their parents in Downey, California. Richard shows great promise as a songwriter and Karen, who plays drums, begins to sing vocals, thrusting the duo into stardom. They become wildly successful, Karen's striking voice and Richard's soft melodies capturing the essence of the nation's yearning for calm after the turbulent Sixties. But Karen strives for perfection and becomes increasingly fearful of her weight, despite being a slender woman. Eventually she is diagnosed with anorexia nervosa, a mental disease relating to stress, lack of control, and low self-esteem. A fight for Karen's life ensues.Written by
Jim Beaver <firstname.lastname@example.org>
Ranked #45 on Entertainment Weekly's "Top 50 Cult Films of All-Time" See more »
The same scene of Karen in the hospital is used for Karen in her bed at home when her mother calls. See more »
Who else has heard this tape?
RCA, Columbia, uh Dekka.
And they all turned you down?
They said it wouldn't sell.
That hard rock's in.
And wholesome's out.
What's your name?
Karen, I like your voice. Tell you the truth, I think you kids have really got something here. Karen and Richard Carpenter, just a couple of kids next door. Now listen to me, you kids are young, fresh, and it'll just be up to me to make young and fresh a happening thing. I know it's a rough road out there and the ...
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There are no ending credits, the film ends after shots of newspaper headlines detailing Karen Carpenter's death. See more »
Unexplainably brilliant. You have to see it to believe it, really.
Understandably suppressed by Richard--I won't spoil it for you--it is at turns hiariously bitchy, grotesque, tender, and cruel. At the same time, it elevates the subject matter, leaving this viewer with a much deeper sense of appreciation for the Karen. I laughed at them, and it made my like both of them more.
The story is dramatized through carefully and minutely constructed sets populated by Barbie dolls clothed in carefully crafted period clothes. Karen's descent into anorexia is represented through whittling down the face and arms of the Barbie doll that portrays her, which has an effect both hilarious and disturbing.
All in all, it feels so much like a "real" documentary, I can't tell you that it isn't. It's treatment of the subject of annorexia and it's effect on Karen's life is at once silly and serious.
I saw it on DVD. The box had next to nothing printed on it. It was obviously bootlegged from somewhere, but the print I saw had good quality audio and visual.
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