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Lady in White (1988)

PG-13 | | Fantasy, Horror, Mystery | 22 April 1988 (USA)
Trailer
2:14 | Trailer
An author tells the story of how, as a young boy growing up in a 1960s small town, he was haunted after witnessing the murder of a little girl.

Director:

Frank LaLoggia

Writer:

Frank LaLoggia
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lukas Haas ... Frankie Scarlatti
Len Cariou ... Phil Terragarossa
Alex Rocco ... Angelo 'Al' Scarlatti
Katherine Helmond ... Amanda
Jason Presson ... Geno Scarlatti
Renata Vanni Renata Vanni ... Mama Assunta
Angelo Bertolini Angelo Bertolini ... Papa Charlie
Joelle Jacobi Joelle Jacobi ... Melissa Anne Montgomery
Jared Rushton ... Donald
Gregory Levinson Gregory Levinson ... Louie
Lucy Lee Flippin ... Grace La Della
Tom Bower ... Sheriff Saunders
Jack Andreozzi ... Tony
Sydney Lassick ... Mr. Lowry
Rita Zohar ... Mrs. Agnes Cilak
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Storyline

Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago. Shortly afterward he finds himself stalked by the killer and is soon drawn to an old house where a mysterious Lady In White lives. As he discovers the secret of the woman he soon finds that the killer may be someone close to him. Written by Losman <losman@express-news.net>

Plot Summary | Plot Synopsis

Taglines:

The year is 1962. The place is Willowpoint Falls. Nobody talks about what happened in the school cloakroom 10 years ago. Now, in the dead of night, Frankie Scarlatti is going to find out why.


Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Spanish | German

Release Date:

22 April 1988 (USA) See more »

Also Known As:

Lady in White See more »

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Box Office

Budget:

$4,700,000 (estimated)

Opening Weekend USA:

$282,652, 24 April 1988

Gross USA:

$1,705,139

Cumulative Worldwide Gross:

$1,705,139
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (extended director's cut)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Russell Carpenter who would later win an Oscar for Titanic (1997) was the Director of Photography for this one. See more »

Goofs

The distance between Frankie's bike and the porch changes in the opening shots of him getting ready to leave for school the first time. This is an illusion caused by the use of telephoto lenses that compress depth (distance from the camera) but not breadth (distance left to right across the scene the camera is viewing). At 05:46 where the bike appears more than 20 feet from the porch, the distance is running across the camera's view, but 06:20 where the bike appears only a few feet from the porch, the distance is running directly away from the camera. See more »

Quotes

Geno Scarlatti: [Frankie knees Geno in the groin] Quick! Call a doctor!
Frankie Scarlatti: Why?
Geno Scarlatti: To save my unborn child!
See more »

Alternate Versions

At 17:25 in the DVD commentary, director Frank LaLoggia says that 06:30 of deleted material were added back into the 112 minute theatric release to get the 117:41 version released on the 2005 DVD. Scenes added back include (1) 17:25 - 18:06 Frankie and Miss La Della talking at her car, (2) 36:49 - 37:46 Mama Assunta and Papa Charlie at Frankie's bedside after the cloakroom attack, (3) 55:31 - 57:11 Angelo driving Mrs. Williams and her children home from church, (4) 01:18:56 - 01:19:24 Frankie getting out of bed to see what is happening at the typewriter, (5) 01:28:32 - 01:28:54 Mama Assunta taking Geno's temperature the alternate way. See more »


Soundtracks

LET'S LIMBO SOME MORE
By Dave Appell (as David Appell), Kal Mann
20 Re-Recorded Greatest Hits of Chubby Checker
Courtesy of The Ernest Evans Corporation
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Frequently Asked Questions

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User Reviews

 
Interesting ghost story
13 July 2000 | by seandchoiSee all my reviews

I suppose _Lady in White_ can be viewed as a horror film. It is a supernaturalistic ghost story that relies on mood and suspense to generate its scares, rather than gratuitous and explicit gore. And while some of the special effects seem dated by today's standards, that didn't really detract from my interest in the film. Creative camera work and moody score on a couple of scenes actually gave me chills. I also think that this is a film that fans of good mystery should also find to their liking. Overall, this is a good film from a relatively unknown director, Frank LaLo


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