A conflict develops between a troubled Vietnam veteran and the sister, with whom he lives, when she becomes romantically involved with the Army buddy who reminds him of the tragic battle ... See full summary »
During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone, and because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
Bounty hunter Jack Walsh (Robert De Niro) is sent to find and return bail jumper and former Mafia accountant, Jonathan "The Duke" Mardukas (Charles Grodin). The FBI has had no success in locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin Dorfler (John Ashton), a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.Written by
In the latter part of the film, there is a shot of Jimmy Serrano and his associates walking from a taxi into a casino in Las Vegas. The Dunes Hotel's sign is clearly visible against the sky in the background, and its hotel tower can be seen at the left edge of the screen. This indicates that the camera was pointed toward Las Vegas Boulevard from the Dunes property. The Dunes closed in 1993, and The Bellagio was built on its former grounds. See more »
Mardukas' handcuffs changes hands when he is in the river. See more »
[Jack trying to pick door lock. He drops one of his picks. When he bends over to pick it up, a gun shot is fired through the door, right where his head had been previously]
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In the opening credits, Robert De Niro's name is spelled Robert DeNiro. See more »
In the scene for theatrical release, when Dorfler is in his hotel room eating french fries, and Carmine-The-Bail-Jumper, is handcuffed to a pipe in the bathroom, Dorfler addresses Carmine as "Hey Scumbag," and Carmine reassures that his name is not such by replying, "The name's 'Carmine', Fucko!" In the alternate version for TV, his reply is "The name's 'Carmine', Fatso!" See more »
The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
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