After a traumatic encounter, a young, gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum ... See full summary »
Late at night, a woman is kidnapped by an unknown assailant and taken back to his blood-spattered dungeon, where he turns her into a "flower of blood and flesh" through a series of dismemberment and evisceration.
An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.
Srdjan 'Zika' Todorovic,
God disembowels himself with a straight razor. The spirit-like Mother Earth emerges, venturing into a bleak, barren landscape. Twitching and cowering, the Son Of Earth is set upon by faceless cannibals.Written by
Marty Cassady <email@example.com>
Stephen Charles Barry and Adolfo Vargas are the only actors who had another role after this movie. Barry appeared in Merhige's short film Bin Of Celestial Birds and Vargas in an episode of American Playhouse. See more »
Language bearers, Photographers, Diary makers. You with your memory are dead, frozen. Lost in a present that never stop passing. Here lies the incantation of matter. A language forever.
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This is not entertainment. This is disentertainment.
I saw 'Begotten' last night, and I'm of two minds on the film.
On one hand, I appreciate it for being the total invert of a Michael Bay film. No dialogue, extremely stylized grainy B&W photography, some of the most genuinely horrific imagery ever set to film, and a very compelling use of sound (which nobody else seems to have really picked up on yet). It's a reflection on a theme, and it dares go where most filmmakers do not not only in terms of images, but of production and concept. It's a movie that most people don't understand, and if you read through these comments you'll find a lot of people whose lack of ability to figure this film out results in them shrieking about 'pretentiousness' with the fervor of a gibbon rattling the bars of its cage at feeding time. It genuinely shocked and disturbed me, and the last time a film managed to do that was a while ago.
On the other, this is a thirty-minute short that sprawls out to over an hour and a half. I understand that there might be artistic merit in using repetition and monolithic pacing as a bludgeon, but in this case it just doesn't help everything hang together. Imagine being approached by a ragged man on the street who grabys you by the shoulders and says something that completely confounds the core of your being... but then, instead of leaving your shattered and gibbering in his wake, he just keeps talking and talking and talking. By the end of the movie, I found myself glancing at my watch now and again.
This is not entertainment, people. This is disentertainment. This is how you deprogram people who just watched "Glitter." If you watch movies to be entertained, this will frustrate, confound, and possibly anger you. You don't approach 'Begotten' like a chocolate cake you want to eat because it tastes good. You approach it like something on the menu you have never heard of before, something you see furtive glances of through the kitchen door, something that's dark and glistens and twitches on its platter; something you order not because it will taste good, but because you just have to know what it's like.
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