Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
16 y.o. Charles loves to photograph. A cute girl's photo ends up in his camera. He later sees the older Laura singing in a bar. He takes a lot more photos of her and ends seeing her again, wishing to help her career.
The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through flashbacks, she reveals how her best friend and colleague Joyce Urbanski married the scum and nasty James Urbanski; how hard Joyce's life with James was; and why Joyce became a criminal. The smart detective finds some contradictions in her statement and presses Cynthia, trying to disclose the truth of two murders.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film's title refers to Shakespeare's tragedy 'Macbeth' (Act I, Scene 5), in which Lady Macbeth invokes the powers of darkness in preparation for committing murder: "Come, you spirits / That tend on mortal thoughts, unsex me here / And fill me from the crown to the toe top-full / Of direst cruelty..." See more »
While Cynthia and Arthur are alone in the house arguing about the murder, you can briefly see a person in a white t-shirt (not a character in the movie) sitting to the left in the dark in the room behind Arthur. See more »
You know what they say? Most murders are committed by someone you know. Family even.
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Demi Moore very good in a better than expected film
`Mortal Thoughts' is another of those films which I nearly did not see, not because of any forgetfulness on my part, nor from any other involuntary reason, but quite frankly I tend to avoid any film with people like Bruce Willis (you can put in the names of Lundgren/van Damme/Stallone/Bruce Lee and other assorted muscular brainless types at your leisure) playing the big macho he-man; I'd rather have a try at cards on the computer, even though the two of clubs always goes missing when I most need it. As well as that, the title did not seem very inspiring. I mean, just how many films are there with the word `mortal' in them? I will tell you: just over 200 including video films etc. according to IMDb's incredible search facility.
As luck would have it, firstly there was not anything else on to while away a couple of relaxing hours, and secondly a few well-written commentaries from other IMDb users (I do not take any notice of badly-written commentaries, though of course I do take into account those little mistakes that creep in to commentaries written by people whose mother-tongue is not English) suggested that I was about to see a perfectly acceptable film.
How right they were, I am glad to say. If on the one hand Bruce Willis' participation is somewhat limited and what he did was really quite decent, on the other, a very young-looking Demi Moore (29 when she made the film) played a stirring rôle, which helped to put this thriller drama a head above most of similar ilk.
Alan Rudolph's directing of a well-written script produced a more than acceptable result, aided by those timely flash-backs between the interrogation and previous events. The formula was intelligently employed, such that at no time did you feel you were getting lost anywhere along the line - as so often happens in other films trying to use the flash-back/flash-forward method.
Cynthia (Demi Moore) is `helping police enquiries', which means interrogated, into the death of her best friend's husband (Bruce Willis), and as she recounts events, the film flashes back, at times even synchronising with the dialogues in the interrogation. A handy device, which lent much to the coherence and continuity. Good work here by Demi Moore and Glenne Headly as her best friend, and it was real good to see Harvey Keitel as the detective (see him in `Shadrach' (1998) (qv), Ridley Scott's classic `Thelma and Louise' (1991) and in `The Piano' (1993), to name a few of his best rôles.
As in all films of this genre, there is that plot twist in the denouement, but in this case perhaps it misfires a little: it left me with a slight taste of incoherence after all that had happened. It left too many incognitos floating about. Perhaps the idea was not too well thought out, or perhaps I was left with the two of clubs and nowhere to put it...... Maybe I am being a little unjust, or pedantic, as the film is worth your while with some interesting interpretations from all concerned.
Just about 6 out of ten on my scale, or a couple of decimals higher.
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