Young Queen Margot finds herself trapped in an arranged marriage amidst a religious war between Catholics and Protestants. She hopes to escape with a new lover, but finds herself imprisoned by her powerful and ruthless family.
Camille Claude impresses already-famous sculptor Auguste Rodin. He hires her as an assistant, but soon Camille begins to sculpt for herself and she also becomes his mistress. But after a while, she would like to get out of his shadow.
Oozing sensuality, a young woman arrives in a small town and gets married to the local mechanic. Was it love at first sight? What links her enigmatic presence to the family's piano? Is it curiosity or is it something far more sinister?
A Christmas story. When boy-friend Georges dumps would-be writer and hypochondriac Pénélope, she goes through two days of horrible, self- centered pain: she asks her friend Sophie to help, ... See full summary »
In a small presbytery in Yorkshire, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
Vatel is in charge of the reception to the king Louis XIV. With the prince's political ambitions at stake, its essential to please him. But when he falls in love with the king's lover, passion and duty seem to contradict each other.
The night of August 24, 1572, is known as the Massacre of St. Bartholomew. In France a religious war is raging. In order to impose peace a forced wedding is arranged between Margot de Valois, sister of the immature Catholic King Charles IX, and the Hugenot King Henri of Navarre. Catherine of Medici maintains her behind-the-scenes power by ordering assaults, poisonings, and instigations to incest.Written by
Oliver 'Asana' Duex <firstname.lastname@example.org>
Patrice Chereau edited the original cut of the film (roughly 160 minutes) to a shorter 138 minutes for international release. This was due to the disappointing box-office performance in France and the criticism (by, among others, Variety critic Todd McCarthy) of the film as being too violent and often incoherent. The French press were scathing of this 'American censorship' (they described the film as having been 'given a face-lift' for American audiences), but the new version was defended by various French critics being both more coherent whilst also maintaining Chereau's artistic vision. The shorter cut was later released in France too, in the hopes of increasing the film's box-office takings. 20 years later, Chereau slightly re-edited his film again and re-mastered it for a new BluRay release with a running time of 161 minutes. This was one of Chereau's last completed acts before his untimely death, so it can be regarded as the definitive version. See more »
La Mole is shot in the legs and the wounds and bloodstains are visible as he goes to execution. But when Margot views his semi-naked corpse, his legs are unmarked. See more »
[as Henri and Margot walk down the aisle after being married]
Your mother hates me.
Yours hated me.
Yours *killed* mine.
See more »
Alexandre Dumas should certainly be satisfied with this superb adaptation of his classic. The setting is excellent and it gives a wonderful image of 16th century France. Naturally the highlight of the movie is the re-enactment of the St. Bartholomew's Day massacre. The horrendous scenes of the murders in all their crudity are terrific. The actors did a wonderful job here. Isabelle Adjani is, as usual, terrific. Her nude scenes, depicting the queen's adultery, lust and incestuous affairs are acted in such a way that they are a form of art. Vincent Perez is in one of his best roles - his interpretation of La Môle is second only to his acting in "Indochine". The great Virna Lisi is simply marvellous posing as Cathérine de Médicis - no wonder she won the Best Actress Award at Cannes. She is the ambitious woman par excellence, stopping at nothing to get where she wants, not even if she has to see her sons being killed one by one and sell her daughter in a convenient marriage to unite the Catholics and the Protestants. The others, especially Asia Argento, impersonating the tragic countess Charlotte de Sauve did a good job too. A very well deserved Prix du Jury.
59 of 81 people found this review helpful.
Was this review helpful to you?
| Report this