The complicated relationship between physicist Leo Szilard, scientist J. Robert Oppenheimer and General Leslie Groves. Assigned to oversee the project, Groves chooses Oppenheimer to build ... See full summary »
It was the defining moment of the 20th century - the scientific, technological, military, and political gamble of the world's first atomic attack. On the 5th and 6th of August 1945, an ... See full summary »
Scott Weston is a private investigator who is supposedly hired by a rich businessman to determine whether or not his beautiful wife is fooling around behind his back. During the course of ... See full summary »
Harry Truman, the successor to the Oval Office after the late President Rosevelt, is plagued with the decisions of war that could save or cost a thousand lives. He is then confronted with the nuclear weapons project, which he approves. As tension ensues (although it is difficult to get into this because most know the end) Truman must make the devastating desicion to use the bomb of all bombs. After some delivering japanese performances, Truman must force suffering on the japanese people again in order to end the war.Written by
The Image Entertainment laserdisc of the film featured an audio commentary by director Roger Spottiswoode and creative consultant Matthew Asner that was not retained on either the Pioneer DVD released in 2000 or the Platinum Disc DVD released in 2005. See more »
President Truman is shown returning to the USA on the USS Augusta. He is shown on of a naval vessel flying a "jack'" This is a flag made up of just the canton portion of a flag, or solely the blue field with only stars. It is Navy policy that this flag is flown from 0800 to sunset on ships that are moored or in port. Once underway, as President Truman was shown, it should have been exchanged for the standard National ensign, the U.S. Flag. See more »
A very good docudrama. But you must be in the mood. It's a low-budget enterprise, talky, and with no bravura performances. Why is it good, then? I guess it's because it makes certain demands on the intelligence and moral concerns of the viewer that few other renditions of this story have bothered to even attempt. For many years, the United States mythos handled the issue in the most simplistic way. The Japanese were all kamikazes, an invasion of the Japanese homeland would cost untold thousands of lives, so we had to nuke them. Recent revisionist history has given us another version of what happened. The Japanese were on their last legs and they knew it. They were sending out peace feelers through Sweden, Switzerland, and Russia. The United States ignored these because we wanted revenge, so we had to nuke them, and fast.
This film illustrates exceedingly well both the Japanese and American sides of the issue, with restraint and intelligence. There are neither heroes nor villains here. And no easy shots are made at particular figures. We can often tell, in conventional flicks, who is good and who is bad by the simple expedient of seeing whether a given character is handsome or homely. We tend not to notice this casting sleight of hand in our own movies because the difference in appearance supports our own prejudices. (We want the villain to be ugly.) But if you want this trick to be in your face, take another look at "The Cranes are Flying," a Russian war movie in which the American officer looks and sounds like a fat bumbling idiot, while the Russian commander is ruggedly good-looking and wears a tolerant shrink-like smile. Such cheap symbolism certainly isn't committed here. The commander of the Japanese army, who wants to fight to the last man, is both attractive and highly principled. Truman may not be a brilliant thinker but he is down-home shrewd and up front about everything. (If there is a problem with the casting it is that the actor playing Curtis LeMay is too handsome and polite for the part. LeMay was a courageous, ruthless, cigar-smoking blowhard, whom no one but a mother would call handsome.)
So why was the bomb dropped? Evidently through a series of stochastic misunderstandings -- in intentions, exchanges, even in the translation of particular words. And ultimately in the rush of the United States to end the war -- for any number of reasons, including strictly political ones -- and in the desire on the part of the Japanese to find some sort of honorable peace in which their emporer retained his sanctity, leading to actions too deliberate to satisfy the Allies.
The film is at its weakest in posing a false dilemma. (Or maybe the historical characters were responsible.) (1) We invade the islands, or (2) we nuke them without warning. All the possibilities in between are dismissed for one reason or another. One of them, given short shrift, is the possibility of a naval blockade which would shut off all supplies and cancel all naval traffic from the islands. Japan having no natural resources worth mentioning, it would have been only a matter of time before it worked. Loss of life would have been minimal, and we would not have had to use the bombs -- plural, Nagasaki was destroyed only three days after Hiroshima. One of the reasons repeatedly brought up in favor of using the bomb is that the American taxpayer has put out two billion dollars for this gadget, and if it weren't used they would want to know why their money was spent developing it. (I don't know of any words adequate to describe this sort of logic.) A blockade, however, would have taken more time, which would have involved waiting, which is not our strong suit. Another weakness is that James F. Byrne was a personal friend of Truman's. Truman, uncertain and new to the presidency, looked at him as a font of wisdom. And Byrne was a devoted hawk. This isn't made entirely clear, but it was in fact the case.
Well, who knows what we and the Japanese should have done? Easy enough to make retrospective judgments. However, they should perhaps be made anyway. Maybe knowing what went wrong last time will help us prevent things from going so terribly wrong next time.
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