An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way...Written by
Giancarlo Cairella <email@example.com>
In a 2014 Vulture article about this film, the author, Jennifer Vineyard, said "Bound can make a strong case for containing the single best-known sex scene." See more »
When Corky drinks coffee there is one tattooed triangle on her right hand. When she is opening the case there are two. When she dumps the money in the paint there is one again. See more »
Caesar, you gotta do me a favor. A personal favor for me. You gotta start respecting Johnnie, the way you respect me. Capisce? Good, good. And you, Johnnie. You gotta stop acting stupid. You gonna earn this respect that Caesar's gonna give. Capisce? Good, done!
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Although the UK Video and DVD are the full uncut version, the version released in cinemas cut the shot of the finger being chopped off in the bathroom scene. See more »
Bound is a sexy, stylish and suspenseful modern visitation to the film noir genre that emerged in the 1940s and 1950s. Right from the outset - where the letters of the film's name cast deep dark shadows like high-rise buildings - the viewer is inducted into a world where duplicity is the norm and where choices made
result in prices being paid. And with over $2 million of Mob money at stake, the risk to life and limb is very high indeed. Violet is a latter-day gangster's moll looking for a way out of 'the business'. Her chance comes when her boyfriend, Ceasar, brings home a fortune in cash to be
sorted and collated before being passed on to the Chicago Mafia. She seduces
the tough-talking ex-con who is renovating the next-door apartment (an
impressively butch Gina Gershon) and together they scheme to relieve the Mob
of the money. But when Ceasar doesn't react according to plan, suddenly there are dead bodies to deal with and events begin to spiral out of control. The
women's trust in each other is stretched to breaking point as they are drawn into a deadly battle of wits. Directors Larry and Andy Wachowski make judicious use of the conventions of
film noir, such as extensive chiaroscuro, and some imaginative and
uncomfortable extreme close-up shots. The clever cinematography is backed up
by a tension-laden script and an excellent cast (particularly Joe Pantoliano as the increasingly frenzied Ceasar). Although Bound may take some viewers out
of their comfort zone with its graphic lesbian sex scene (which I LOVE!) and
depiction of Mob torture tactics, it is a film that will reward its audience with a stylish and intelligent foray into the eternally murky confluence of good and evil.
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