Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, ...
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Karl Foyle and Paul Prentice were best mates at school in the Seventies. But when they meet again in present-day London things are definitely not the same. Karl is now Kim, a transsexual, and she has no desire to stir up the past while she's busy forging a neat and orderly new life. Prentice, on the other hand, has charm but is a social disaster stuck in a dead-end job. His main talent is for getting them both into trouble. Amid the squabbles, they start to fall in love. One night, Kim invites Prentice to a romantic dinner at her flat. Prentice, finding the seduction unexpectedly effective, freaks out. He proceeds to make a public display of both of them and winds up in court. Humiliated and angry, Kim runs away. Only she can save Prentice now, but will true love triumph for a new made woman and an aging punk?Written by
Sat on the shelf for three years before being released. See more »
[complaining about the size of his fine for indecent exposure]
Fifty Quid! I didn't know pricks could be so expensive!
Only if you behave like one.
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Ever Fallen in Love (With Someone You Shouldn't Have)
written by Pete Shelley (as P. Shelley)
performed by Buzzcocks (as Buzzcocks)
recording company: Buzzcocks/Sensei Ltd
published by Complete Music Ltd See more »
Well worth viewing. Quite moving in parts, with slightly uneven mix of Comedy, Drama and Tragedy
Missed this first time round, but unintentionally caught a late night/early hours TV airing in the UK. Steve Mackintosh sustains a serious dramatic presence and role as Kim against the heavily scripted comedic/stereotype 'unreformed male' buffoonery of the friend/partner Paul Prentice played by Rupert Graves. Although at times the dynamic of the two styles gives an uneven feel to the whole narrative, the underlying point of apparent complete contrasts, but underlying and overlapping commonality of involvement and feeling is well made. Some of the scenes are intensely moving, particularly those in the police station when Kim is facing arrest and conviction and is placed alone in a cell, uncertain of whether she will face the immediate unwelcome company of another unknown male cellmate, and/or eventual consignment to a male prison. This is hardly comedy, certainly real life drama, and contains the essence of real tragedy. Other scenes in the film evoke similar high tensions in emotional colour and reading.
Overall delivery was a little uneven, but well worth viewing again. Would be worth a full 'in-line drama' remake of the theme, as other commentators have also hinted. A good attempt at a very difficult subject which manages to hit the right emotional responses without actually falling off the tightrope between banality and exploitation.
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