Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ...Written by
Originally, 20th Century Fox was to finance the film, but disputes arose between the studio and the producers over casting. In particular, Fox preferred a more well-known actress to play Katharine Clifton instead of Kristin Scott Thomas; Demi Moore was lobbying particularly hard for the role. After the producers refused to give in on a series of casting choices, Fox backed out of the film, and the project was uncertain just as production was about to begin. However, within a few weeks - during which the cast and crew stayed on in Italy without knowing if the film would be made - the film was picked up by Miramax. See more »
After Hana washes her hair she places a lamp on a table behind her, but her shadow is projected onto the wall behind the lamp. See more »
Let me tell you about winds. There is a, a whirlwind from southern Morrocco, the aajej, against which the fellahin defend themselves with knives. And there is the... the ghibli, from Tunis...
[...] See more »
Disclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys." See more »
Traditional Hungarian folk song
Performed by Muzsikas featuring Márta Sebestyén (as Marta Sebestyen)
Arranged by Károly Cserepes (as Karoly Cserepes)
Published by Rykomusic, ASCAP
Courtesy of Hannibal, a Rykodisc Label See more »
I like this movie above all others. It is "multi-layered"; there is so much to see and appreciate. Every viewing brings a new appreciation of the story-line, the plot and the characters. Faultlessly acted and extremely enjoyable if you take the time to watch it and appreciate it. I love the interaction between the players; the subtle relationships; the period atmosphere. Ralph Fiennes is perfectly cast as the brooding lover and Geoffrey the wronged husband is beautifully underplayed by Colin Firth. The scene in the sand storm where Catherine & El-masy are discussing the different types of sand storms is one of the high-lights of the film and where the affair really starts. The other relationship between Hanna & El-masy is yet another "layer" of the movie which is totally enchanting (and heart-rending). A worthy winner of so many awards.
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