After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.Written by
Bill Pullman's first lead role and second film overall was Spaceballs, which was directed by Mel Brooks. Brooks also produced David Lynch's second film, The Elephant Man. Both films also featured John Hurt. See more »
An incredibly well-done film... but not for everyone's tastes
This is the first film directed by David Lynch I've seen, not counting The Elephant Man, which is another great film, but is an outsider in his career, since it is not surreal. This film is, however, making it the first typical Lynch film I've seen. And I'm honestly not sure what to make of it. I had heard a lot about Lynch's films before watching, but I guess I hadn't heard enough. I went into this film hoping for a good mystery, an interesting puzzle to solve. As the end credits rolled I didn't know what to make of what I had just seen. I didn't get an answer to the question I kept asking while I was watching; "What exactly is this film about?". As soon as the credits were over, I read a comment or two by Lynch fans... and the truth dawned on me. It's not supposed to be solved. It's not a movie where you, when you see the very end, exclaim "Ah! Now I get it!". This film won't provide you with some twist ending or have a character come up to the lead and explain it all. It's not supposed to make perfect sense or be easily explainable. It's not real. It's fantasy. Fiction. The whole film is like a dream, or, more appropriately, a nightmare. The film is great; it's just not for me. I won't let that affect my rating, however. This was an excellent example of masterful film-making. Lynch's direction is eminent, evidenced by the fact that I kept watching, despite not understanding half of what was going on or being able to sympathize with any character(something we are much too used to from mainstream movies). The lighting is great. Lynch really plays around with it, and it's always interesting to look at. It also really adds to the mood, nicely set by careful editing and music usage. The acting is flawless, and that is not a term I use lightly. All in all, a wonderfully well-done film, but definitely not for everyone. Wasn't in my tastes, but I enjoyed how well-made it was regardless. I recommend this to fans of art films, rather than conventional ones. Fans of Lynch should enjoy this. Very surreal and loose. 10/10
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