The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
When "the dude" Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude.Written by
Nearly all of the visible symbols in The Dude's second dream sequence are taken from earlier scenes: The initial scene of The Dude's exaggerated walking while casting a big shadow is similar to his landlord's interpretive dance to "Pictures at an Exhibition"; the black and white tiled floor is seen earlier in the Big Lebowski's entry way when The Dude walks with Brandt, and again at the end; the tool belt and workman outfit The Dude is seen wearing is identical to the one worn by Karl Hungus (Peter Stormare) in Logjammin'; Saddam Hussein, who is standing behind the counter, is mentioned briefly by Walter in the car outside the bowling alley, we hear President George H.W. Bush comment on the Iraqi invasion of Kuwait, and in the opening credits, we see a man looking a bit similar to Saddam spraying the bowling shoes at the alley; Maude's gold bowling ball bra cups are taken from bowling balls seen on the rack behind Walter in an earlier scene at the bowling alley; Maude Lebowski's trident is from a statue at The Big Lebowski's house; the red-on-black bowling ball is the same as the one in the earlier dream sequence and is also visible on the rack behind Walter and The Dude at the bowling alley; the topless girl falling through a black frame is almost the same shot that opened the scene in which The Dude shows up at Jackie Treehorn's party; the scissors wielded by the red-clad nihilists are seen in a painting with a red background on Maude's wall. See more »
At the end of the Gutterballs sequence, when the bowling pins are knocked over, wires can be seen that were used to move the pins. See more »
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude". Now, "Dude" - that's a name no one would self-apply where I come from. But then there was a lot about the Dude that didn't make a whole lot of sense. And a lot about where he lived, likewise. But then again, maybe that's why I ...
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When Comedy Central, in removing the 200+ "fucks" from the movie, was attempting to edit the scene where Walter is smashing the car, they didn't know how to cut Walter saying "do you see what happens when you fuck a stranger in the ass" without having to do severe, overly obvious editing which would look fake. To solve this they decided just to re-dub it, and the phrase they chose? "Do you see what happens when you find a stranger in the Alps?". See more »
The film with the highest rewatchability factor of all time
It's actually kind of hard to describe this movie (and what's so great about it) to people who don't already know it and love it; as with many cult films, The Big Lebowski will either speak to you (in which case you will become a fervent follower of His Dudeness and abide by his code for the rest of your life) or, if it doesn't, the film will either leave you completely indifferent or you'll even downright hate it.
I believe it's a very funny film and I'm sure it can be rightfully called a comedy, but don't expect punchlines, gags, jokes or slapstick - it's not that kind of comedy. If you want to enjoy this film, you have to meet Jeffery "The Dude" Lebowski on his terms, hang out with him and his bowling buddies and follow them at a their (perhaps somewhat leisurely) pace through this weird and unbelievable tale about nihilism, theft (of a car and, more importantly: a Creedence Clearwater Revival tape), kidnapping, abstract art, porn and - of course - bowling.
The story is actually kind of simple. You see, some no-good German nihilists urinated on The Dude's rug - and this kind of aggression just won't stand against The Dude. With the help of his bowling buddies, he will do everything in his power to get someone to pay for his rug - or possibly get a new one (because that rug really tied the room together). So he embarks on this worthy quest during which he will encounter many wondrous things and fascinating people (even Jesus - who is NOT the messiah but a very naughty man).
With Jeff Bridges in the leading role, the Coen brothers have found the perfect actor to incorporate one of the most iconic characters that has ever been created. But it's not just The Dude that makes this a winner; the whole film is such an inspired folly and simply inventive filmmaking at its finest (the hilarious dream sequence alone is worth the price of admission). The supporting cast is outstanding (J.Turturro, J.Goodman and S.Buscemi among many others), the song choices are perfect and the dialog is the funniest, most quotable in any comedy I've ever seen. This - for me - is without a doubt the film with the highest rewatchability factor of all time. 10 stars out of 10.