Axel Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who killed his boss are running a counterfeit money ring out of a theme park in Los Angeles.
A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.
A ship sails into Brooklyn with all its crew dead. But something gets off and the killing continues on land. The vampire is looking for a specific woman - half-human, half-vampire. Rita's the cop detective investigating the many killings.
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out with Roper and his partner McCall attempting to rescue Roper's kidnapped girlfriend. A major element in the plot is the relationship between Roper and his girlfriend.Written by
Eddie Murphy plays a hostage negotiator in San Francisco, he lives a dangerous life, but he still thinks it´s pretty okay. One thing he doesn´t think is okay is when his friends gets killed. But that is just what happens, his best friend is murdered by an evil jewel-thief, and now Murphy wants revenge.
The plot in "Metro" did not really impress me when I heard about it. Eddie Murphy as a comical hostage negotiator... It sounds pretty corny to me, but it was actually not as bad as it first seemed. The action scenes are well made, especially the breath taking car chases down the steep streets of San Francisco.
But I can´t really say the movie was good. The plot is not very original, this could actually have been titled "Beverly Hills Cop 4" and no one would have noticed. Between the action scenes there aren´t very much to write home about. Murphy is occasionally funny, but he can be really annoying too.
The best thing in "Metro" is definitely the villain, played by the underrated Michael Wincott. He is truly the perfect bad guy. That rasping voice, that glance in his eyes, wow! He can make even the simplest villain into a terrifying monster, which he should be highly praised for. And I wonder if not this guy holds the record in movie-deaths? I´ve seen Wincott in about ten movies, and he gets to meet his maker in all of them! I almost feel sorry for him, but I don´t think he´s complaining too much. If he dies in "Metro" or not, I´ll let you figure out for yourself.
Back to "Metro" now. If you don´t expect any clever ideas, just some good action sequences with a silly plot, it´s not that bad. But on the other hand, not that good either.
* * ½ out of * * * * *
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