A psychological study of operations desert shield and desert storm during the gulf war; through the eyes of a U.S marine sniper who struggles to cope with the possibility his girlfriend may be cheating on him back home.
Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
A small group of adventurous American soldiers in Iraq at the end of the Gulf War are determined to steal a huge cache of gold reputed to be hidden somewhere near their desert base. Finding a map they believe will take them to the gold, they embark on a journey that leads to unexpected discoveries, enabling them to rise to a heroic challenge that drastically changes their lives.Written by
In the scene where the three soldiers enter the secret room in the bunker with the stolen stuff and television sets, you can see Captain Saïd (Saïd Taghmaoui) watching the Rodney King beating video, which would've taken place a few weeks before the period of time, in which the film is set, and perhaps intentionally or unintentionally highlights the underlying racial tensions between Vig and Elgin in the first half of the film. See more »
The U.S. Army helicopters shown are Bell UH-1's; commonly known as the "Huey." By the time of the first Gulf War, the Bell UH-1 had been retired from combat service and replaced with the Sikorsky UH-60 Black Hawk. See more »
Are we shooting?
Are we shootin' people or what?
Are we shooting?
That's what I'm asking you!
What's the answer?
I don't know the answer! That's what I'm trying to find out!
See more »
For Sergeant Major Jim Parker, 1946 - 1998 See more »
DVD version includes four deleted scenes:
Giving birth: After Troy looks down at the Iraqi soldier he has just shot, we see a flash back to his daughter being born. There is also more footage of the soldiers having their pictures taken with the dead Iraqi soldier.
Bunny: During the party at the start of the film, mail is given out. Troy receives photos of his wife and daughter. while Conrad recieves a handgun (which he uses throughout the film), inside a chocolate rabbit.
Decoy: After Conrad tells the hairdressing iraqis that "Troy gave me this haircut", Archie sees a stationary verhicle and some sandbags. Conrad accidently shoots at the vehicle, which then rapidly deflates.
Snowglobes: After the battle to rescue Troy comes a scene where Archie gathers up loads of snowglobes, which depict the nativity at a petrol station! They then drain these, (a close up of a hand holding the three kings that were within the snowglobes), and drink the water inside.
A film for anyone who ever relishes the triumphal note of western war films, who gets carried away by the moral high of being on the winning side. For those who saw the good in the Gulf War, saw how many people America helped and was proud to live in the Western world.
Three Kings is an anti-war film. Its opening scenes are not the declaration of war, but soldiers celebrating its end. Then coming to grips with its consequences.
Of course, Saddam Hussein is depicted in the customary role of the villain, but then so is George Bush whose abandonment of the Iraqi people he had called to rise against Saddam is illustrated with examples of human suffering - emotional as well as physical.
Don't get the idea that this is a bleak and 'worthy' film, in many ways it is, but it does it with such style and black humour - that forces you to laugh even while being disgusted or perturbed - that it is eminently watchable. But still edgy, I was pleased to see one couple walk out (though they might just have gone to the toilet, who knows, I was absorbed by the film and didn't pay enough attention).
Director, David O Russell, ensures that the film never gets carried away with action scenes - bullets have consequences (good and bad) even when fired by an all-American soldier. There is some stunning cinematography. Particularly shocking to me was when Iraqi soldiers fire at a tanker. Nothing's more shocking than the unexpected and dramatically understated (I didn't see the trailer, though I believe that scene was actually in it).
There are some interesting cinematic devices in the film. The next time that sepsis comes into conversation I'm sure anyone who has seen the film will call to mind scenes of a bullet travelling through the body. I've seen less violent films than some people, but have been swept away by their power many times - become blasé about bullets and cinematic death. I've seen it all too often before to care about nameless victims that stand in the way of the power, wit, and understanding of the hard-bitten, long-serving soldier, wielding a justice in the shape of a gun.
Russell claimed to make every bullet count in the film, and in one memorably calm scene of confusion and crossfire, he certainly does. The style of the film however doesn't detract from its content. Three Kings doesn't have pretensions of addressing difficult issues by showing the manly, serious face of George Clooney looking a little concerned after killing a few dozen of the enemy. It has intelligent dialogue and moving scenes of confrontation between the opposing ideologies of the Americans and their 'allies' and 'enemies' alike.
Not the best date movie in the world. Funny, shocking, thought provoking and honest, 8.5/10.
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