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Divine Horsemen: The Living Gods of Haiti (1985)

Not Rated | | Documentary | 1993 (Germany)
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2:12 | Trailer
A documentary film about Haitian vodou.

Directors:

Maya Deren, Cherel Ito | 1 more credit »

Writers:

Maya Deren (book), Cherel Ito | 1 more credit »
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Cast

Credited cast:
John Genke John Genke ... Narrator (voice)
Joan Pape Joan Pape ... Narrator (voice)
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Storyline

A documentary film about Haitian vodou.

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated
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Details

Official Sites:

DVD | Edited DVD | See more »

Country:

USA

Language:

English

Release Date:

1993 (Germany) See more »

Also Known As:

Божественные всадники: Живые боги Гаити See more »

Filming Locations:

Haiti

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(Cosmic Zoom Festival)
See full technical specs »
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Did You Know?

Trivia

After her second divorce, Maya Deren began making trips to Haiti, observing and filming Voudoun rituals and dance, and eventually becoming very involved in Voudoun herself. In 1951, she began a relationship with a 15-year-old Japanese musician, Teiji Ito. Deren was 43 and became both mentor and lover to Ito. They lived in New York and he followed her on her trips to Haiti. By the time Deren had completed filming in Haiti in the mid-1950's, she had shot more than 18,000 feet of film but never completed the editing. She died in 1961 and the unedited Haitian footage was finally edited in the 1980's by her widowed husband, Teiji Ito, and his new wife, Cherel. With a soundtrack by Ito, the completed footage was released in 1985 as this film. Later that year, the American Film Institute established the Maya Deren Award for independent film making. See more »

Connections

Featured in Friday the 13th: The Series: The Voodoo Mambo (1988) See more »

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User Reviews

An Individual and Insightful Engagement with Voudoun
17 February 2014 | by becky_8555See all my reviews

I believe what is fascinating with this work is that the filmmaker maintains both an authentic and insightful depiction of Voudoun whilst incorporating a very specific engagement creating new possibilities and recounting entirely new experiences. Although importantly her study is very informative and is supported by a very detailed book upon the subject, there is much to be said above and beyond pure fact. There is of course a problem identifying Deren's role partaking in the religious ceremonies although she was welcomed by a Voudou priest. It is important to note that she didn't adopt the insulting role of sceptical bystander nor tried to make any allusions to the particular behaviour of various communities partaking in Voudoun, other than those she was able to witness during her time in Haiti. I think this film is extremely eye-opening of the fact that there is much to be said of human behaviour which can only be derived by such phenomenology as is demonstrated by this film.


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