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The Lord of the Rings: The Return of the King (2003)

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2:02 | Trailer
Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director:

Peter Jackson

Writers:

J.R.R. Tolkien (novel), Fran Walsh (screenplay) | 2 more credits »
Popularity
288 ( 30)

Could Jake Gyllenhaal Save Middle-earth?

It's been 15 years since the Lord of the Rings trilogy ended, but we still can't get enough. Let's look at the stars who missed out on adventures in Middle-earth.

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Top Rated Movies #7 | Won 11 Oscars. Another 198 wins & 122 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noel Appleby Noel Appleby ... Everard Proudfoot
Ali Astin ... Elanor Gamgee (as Alexandra Astin)
Sean Astin ... Sam
David Aston ... Gondorian Soldier 3
John Bach ... Madril
Sean Bean ... Boromir
Cate Blanchett ... Galadriel
Orlando Bloom ... Legolas
Billy Boyd ... Pippin
Sadwyn Brophy Sadwyn Brophy ... Eldarion
Alistair Browning ... Damrod
Marton Csokas ... Celeborn
Richard Edge Richard Edge ... Gondorian Soldier 1
Jason Fitch ... Uruk 2
Bernard Hill ... Theoden
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Storyline

The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Frodo and Sam reach Mordor in their quest to destroy the One Ring, while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith. Written by Jwelch5742

Plot Summary | Plot Synopsis

Plot Keywords:

orc | epic | battle | journey | hobbit | See All (454) »

Taglines:

This Christmas the journey ends. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and frightening images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

New Zealand | USA

Release Date:

17 December 2003 (USA) See more »

Also Known As:

The Return of the King See more »

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Box Office

Budget:

$94,000,000 (estimated)

Opening Weekend USA:

$72,629,713, 21 December 2003

Gross USA:

$377,845,905

Cumulative Worldwide Gross:

$1,120,424,614
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Blu-Ray Extended Edition) | (Special DVD Extended Edition) | (DVD Widescreen Edition)

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Sean Astin (Samwise Gamgee) and Billy Boyd (Peregrin "Pippin" Took) appeared in The Witches of Oz (2011) and Dorothy and the Witches of Oz (2012). See more »

Goofs

When Legolas jumps on the back of the elephant, he goes to cut the rope to release the people. However, there are about three thick rows of ropes going through the back of the elephant. Legolas only cuts one. The other ones were already cut. See more »

Quotes

[first lines]
Deagol: Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Smeagol: Pull it in. Go on. Go on. Go on. Pull it in.
See more »

Crazy Credits

There's a text written in maori: Me mahara tonu taatou nga Uri- aapakura noo tuaanuku nei, noo te waaotuu te tu kekehua ana o ngaa Eldarin kua hohouu mai i te Uru-moana. Which is in english: Let us dedicate our memories to the spirits of the Eldar who came to us from the Ocean that lies to the West. See more »

Alternate Versions

In the theatrical version, there was a lengthy delay between when Frodo is with the eagles after being picked up, and when he's in bed, when there's nothing but darkness. A large number of people in the theaters thought that was the end of the movie, and some started to get up. This has been removed in the original DVD. See more »

Connections

Featured in Honest Trailers: Lord of the Rings (2012) See more »

Soundtracks

A Shadow Lies Between Us
(uncredited)
Music by Howard Shore
Lyrics by J.R.R. Tolkien
Performed by Liv Tyler
See more »

Frequently Asked Questions

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User Reviews

 
A monumental film
17 December 2003 | by Chris_DockerSee all my reviews

Feeling weary and battle-worn, I have just staggered out of the cinema after three and a half hours of special effects creatures fighting other special effects creatures. I had taken refreshments but barely touched them - probably because the film I had watched is one of the most mesmerising, evocative, inspiring, and awesome I have witnessed of any big adventure epic. Not to mention superb ensemble acting, moods that shift effortlessly between mediaeval battles of colossal proportions and convincing bloodshed, beauty and wonderment, fantastic natural and artificial landscapes and cityscapes, touches of humour, well-paced dramatic tension, and human bonding that is moving enough to just let you dry your eyes as the unassuming credits flash by.

Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.

The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.

This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)

The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .


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