6.9/10
3,390
46 user 24 critic

How to Kill Your Neighbor's Dog (2000)

Trailer
1:11 | Trailer
A sarcastic playwright in LA gets new neighbors - single mom and 8 y.o. girl. His wife wants kids and babysits the girl. He doesn't want kids yet plays with her to find out how children talk - for his play. Paternal instincts?

Director:

Michael Kalesniko
6 wins. See more awards »

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Cast

Cast overview, first billed only:
Kenneth Branagh ... Peter McGowen
Suzi Hofrichter ... Amy Walsh
Lynn Redgrave ... Edna
Robin Wright ... Melanie McGowen (as Robin Wright Penn)
Peter Riegert ... Larry
Johnathon Schaech ... Adam
Kaitlin Hopkins ... Victoria
David Krumholtz ... Brian Sellars
Suzy Joachim ... Allana
Brett Rickaby ... Janitor
Lucinda Jenney ... Trina Walsh
Stacy Hogue ... Babysitter
Banjo Banjo ... Baby the Dog
Peri Gilpin ... Debra Salhany
Tamala Jones ... Laura Leeton
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Storyline

Shy, chain-smoking, insomniac Peter McGowan is a Los Angeles playwright with a string of hits that preceded his current ten years of failed productions. His mother-in-law is sinking into senility. A stranger is meandering the neighborhood claiming to be him. Neighbors have a new dog that barks all night. His wife wants to have a child, and he does not. He's become impotent. He's working on a new play when a single mother moves in next door with her eight-year-old daughter. His wife immediately invites the girl into the McGowan household. Will this child stir Peter's paternal feelings? Will she also help him get his dialogue right? And what of his doppelganger and the neighbor's dog? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

One man's pet is another man's peeve.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English

Release Date:

5 March 2003 (France) See more »

Also Known As:

How to Kill Your Neighbor's Dog See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$7,300,000 (estimated)

Opening Weekend USA:

$18,956, 24 February 2002

Gross USA:

$49,894

Cumulative Worldwide Gross:

$73,510
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Outside of festivals, this movie did not receive a major theatrical release and wound up going directly to cable. See more »

Quotes

[first lines]
Handler: Mr. McGowen, I think we're ready. This way, please.
See more »

Crazy Credits

After the credits roll, there is a short break showing the scene portraying the dog after it had been shot. The director shouts "cut," and the dog gets off the ground and barks. See more »

Connections

Referenced in Family Guy: Dog Gone (2009) See more »

Soundtracks

Sign of the Times
Written by Tony Hatch
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User Reviews

Looking for a wonderful, under-the-radar movie? This is it.
4 March 2002 | by tkinesSee all my reviews

Wow, what a great movie. I had to talk a friend into seeing it, and we knew nothing about it. We were not disappointed at all. It takes a little while to get rolling, but once it does, the dialogue is wittier than anything Hollywood will ever churn out. It is refreshing to see a movie that doesn't play to the lowest common denominator. The acting was perfectly executed, and the writing was some of the best this year. Robin Wright-Penn was at her best, especially in an emotionally intense argument between her and Brannagh over remarks he made to the neighbor. And Brannagh was definitely in his element here, with some wonderfully razor-sharp dialogue that he executed perfectly. There was a handicapped child that was a bit contrived and predictable, but she was a wonderful actor and her role in the plot kept it from being trite. You just don't see writing this good in Hollywood. That fact would just boil inside you as you watch this and realize that it will never get a wide theatrical release. That is until an hysterical interview of the author (Brannagh) unfolds throughout the film. The comments he makes to the interviewer (Ros from Frasier) make light of Hollywood's blindness to anything that is not ignorant drivel and send you from the theater with a great feeling that all hope is not lost. You may have to look around, but you can still find an intelligent movie. And this is one of them.


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