7.1/10
5,906
79 user 52 critic

Harrison's Flowers (2000)

When a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.

Director:

Élie Chouraqui

Writers:

Isabel Ellsen (book), Élie Chouraqui (screenplay) | 3 more credits »
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Andie MacDowell ... Sarah Lloyd
Elias Koteas ... Yeager Pollack
Brendan Gleeson ... Marc Stevenson
Adrien Brody ... Kyle Morris
David Strathairn ... Harrison Lloyd
Alun Armstrong ... Samuel Brubeck
Caroline Goodall ... Johanna Pollack
Diane Baker ... Mary Francis
Quinn Shephard ... Margaux Lloyd
Marie Trintignant ... Cathy
Christian Charmetant ... Jeff
Gerard Butler ... Chris Kumac, Photojournalist
Scott Anton Scott Anton ... Cesar Lloyd (as Scott Michael Anton)
Christopher Clarke Christopher Clarke ... David
Dragan Antonic Dragan Antonic ... Chetnik
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Storyline

Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he's in a war zone, and he wants to change jobs to something less stressful. But he's got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he's dead and goes looking for him. She's helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they're determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison's son Cesar is looking after his father's prized greenhouse, keeping hope, and flowers, alive. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Sometimes love is the only proof you need.

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for strong war violence and gruesome images, pervasive language and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

English | French | Serbian | Croatian

Release Date:

15 March 2002 (USA) See more »

Also Known As:

A felejtés virágai See more »

Filming Locations:

Czech Republic See more »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$867,635, 17 March 2002

Gross USA:

$1,871,025

Cumulative Worldwide Gross:

$3,033,646
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Goofs

During the battle, when they are hiding in the dead woman's house, the Serbian/Yugoslav tanks carry the Croatian national flag with a red star. See more »

Quotes

Yeager Pollack: There are only two different types of people in this world. Those who have seen the war, and those who haven't.
See more »

Alternate Versions

For the United States version, the film's length was reduced by about 5 minutes; it also features a new score by Cliff Eidelman. See more »

Connections

Referenced in Film Geek (2005) See more »

Frequently Asked Questions

See more »

User Reviews

 
Great acting and cinematography, but a implausible story
18 March 2002 | by drsecondSee all my reviews

I'm really torn about this one. On one hand, the performances by Andie MacDowell and Adrian Brody are very good, maybe even Oscar quality, and the cinematography is truly excellent, capturing the horror that was Yugoslavia. Unfortunately, the story line is really kind of ridiculous. First, is there ANY mother that would intentionally orphan her children to go to a warzone looking for a likely dead husband? Second, it is VERY unlikely that anyone as naive as she is could make it through to Vodrosnik, regardless of who was helping. Third, the opening scenes in New York/New Jersey are not very watchable, with most of the actors trying too hard. It has a "Lifetime movie" feel to it. Once the film gets to Europe, however, a different sensibility takes over and it becomes riveting cinema, if you can suspend your disbelief of the general concept. Overall, I thought it as a good, but not great movie, certainly worth the price of admission if you can get by the premise. I give it an 8/10.


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