Special Agent Derrick Vann is a man out to get the man who killed his partner, but a case of mistaken identity leads him to Andy Fiddler, a salesman with too many questions and a knack of getting in Vann's way.
Samuel L. Jackson,
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
Elmo McElroy is a streetwise American master chemist who heads to England to sell his special new formula - a powerful, blue concoction guaranteed to take you to 'the 51st state.' McElroy's new product delivers a feeling 51 times more powerful than any thrill, any pleasure, any high in history. But his plans for a quick, profitable score go comically awry when he gets stuck in Liverpool with an unlikely escort and his ex-girlfriend and becomes entangled in a bizarre web of double-dealing and double-crosses.
Rhys Ifans and Emily Mortimer also appeared in Notting Hill (2001), though Mortimer only had a cameo role. See more »
SPOILER. Whilst Virgil Kane interrogates Leopold Durant, he tells Arthur to face front, pointing with his empty right hand, whilst holding his baton (which is inserted in Leopold Durant's left shoulder) in his left hand. When the scene immediately cuts to Arthur, Virgil Kane is pointing with the baton in his right hand. See more »
I mean, rules are like, arbitrary, you know. Made up for people who believe in fairy tales like, you know, like Santa Claus. Hey, but not us, right? I mean, we know what's important. There's a war going on, man. A war. Ain't that a bitch?
[cop sucks his teeth]
I just graduated today, man. With honors. Got my degree in pharmacology. I'm licensed. Look, if you write me up on this drug charge, I won't be able to practice. So what we're talking about here is, is my life. The rest of it.
[...] See more »
Shortly after the credits start there is a short segment with Elmo on the Golf Course outside the castle on the post card See more »
Written by Buddy Miles (as Miles)
Published by Miles Ahead Music c/o Rondor Music (Ldn) Ltd.
Performed by Buddy Miles
Courtesy of Mercury Records Ltd. (London)
Licensed by kind permission from the Film & TV Licensing Division, Part of the Universal Music Group See more »
I am not really sure what the appeal of this movie actually is. It's definitely not the action, since fights are simple and few and far between. I wouldn't think its the comedy, since the premise of pretty much every joke is the same. It seems the majority of the humor in this movie is Samuel L. Jackson's character dealing with the differences between England and America and Robert Carlyle's character's disgust with Americans. Of course, every-so-often, we get a dash of toilet humor to mix things up. Pretty simple. Nothing special.
And yet, somehow, this movie manages to stay entertaining enough throughout the bulk of it. My only guess is that it comes from the charisma of the cast and characters. Samuel L. Jackson defies logic by kicking ass in just about every movie he's in, whether the flick's good or not. Robert Carlyle's energy and enthusiasm is enough to prevent me from getting annoyed with his constant whining. Emily Mortimer plays the soft-spoken, sexy assassin hired to bring in Jackson's character. And Meat Loaf....well....Meat Loaf bothered the hell out of me. His role as the Lizard, the big-time American drug dealer and previous employer to Jackson, is over-the-top and completely unconvincing as someone who would have rose to power in the American drug market. At times, he is just downright aggravating to watch (especially when he starts ranting and referring to himself in the third-person).
Fortunately, Meat Loaf (and a nearly as annoying Rhys Ifans)are not enough to completely drag the film down. It manages to stay quirky enough to keep entertaining and you shouldn't feel as if you completely wasted the last 92 minutes of your life. My advice? Check it out once, it's a hit or miss.
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