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The Matrix Reloaded (2003)

R | | Action, Sci-Fi | 15 May 2003 (USA)
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Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.

Directors:

Lana Wachowski (as The Wachowski Brothers), Lilly Wachowski (as The Wachowski Brothers)

Writers:

Lilly Wachowski (as The Wachowski Brothers), Lana Wachowski (as The Wachowski Brothers) | 2 more credits »
Popularity
949 ( 139)
8 wins & 33 nominations. See more awards »

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Directors: Peter Chung, Andrew R. Jones, and 5 more credits »
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Cast

Cast overview, first billed only:
Ray Anthony ... Power Station Guard
Christine Anu Christine Anu ... Kali
Andy Arness ... Police #2
Alima Ashton-Sheibu Alima Ashton-Sheibu ... Link's Niece
Helmut Bakaitis ... The Architect
Steve Bastoni ... Soren
Don Battee ... Vector (as Don Batte)
Monica Bellucci ... Persephone
Daniel Bernhardt ... Agent Johnson
Valerie Berry Valerie Berry ... Priestess
Ian Bliss ... Bane
Liliana Bogatko Liliana Bogatko ... Old Woman at Zion
Michael Budd ... Zion Controller
Stoney Burke Stoney Burke ... Bike Carrier Driver
Kelly Butler Kelly Butler ... Ice
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Storyline

Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix, and a certain degree of precognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has chosen Neo as his next target. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

Reload before the revolution begins. See more »

Genres:

Action | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

15 May 2003 (USA) See more »

Also Known As:

The Burly Man See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$91,774,413, 18 May 2003

Gross USA:

$281,576,461

Cumulative Worldwide Gross:

$828,770,175
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS | Sonics-DDP (IMAX version)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The key of the beginning theme you hear at the beginning of every Matrix movie (rousing strings and horn blasts) ascends with each movie. The Matrix (1999) starts in the key of E minor, The Matrix Reloaded (2003) ascends a whole step to F-sharp minor, and The Matrix Revolutions (2003) ascends half a step to the key of G minor. See more »

Goofs

In the tunnel scene to the freeway, the human police officers are driving a Chevrolet Caprice made prior to the 1994 model, from the next scenes, it appears to be a 1993 model with mirrors from a 1995 or later model. The Agents also are seen in this same car. Then the next interior scene of the Agent's police car shows then driving a 1994 or later model. The brief scene of the Agents following the Cadillac when the Twin is fighting in the car, shows the Agents driving a 1994 Caprice with side mirrors of the 1995 or later model years. Then when the Agent exits the Caprice to get on the roof, it is a 1995 or later model with the Impala style rear quarter window. When the Agent is firing at and bumping the Cadillac, the Caprice is a 1993 model with the mirrors of the 1995 or later years. Then the Caprice that crashes into the cushion barrels is a 1995 or later model. See more »

Quotes

[first lines]
Power Station Guard: See you tomorrow.
See more »

Crazy Credits

As in "The Matrix", the opening Warner Bros. logo is green on a gray sky, and the opening Village Roadshow logo is green. See more »

Alternate Versions

The 16mm print of the film (sent to college campuses, etc.) features some scenes in letterboxed widescreen form and some scenes in Academy ratio (i.e. full-frame). In at least one scene, this format revealed more than the directors intended (see goofs). See more »

Connections

Featured in Edge Codes.com: The Art of Motion Picture Editing (2004) See more »

Soundtracks

Mona Lisa Overdrive
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Orchestrated by Ben Watkins and Don Davis
Performed by Juno Reactor
Juno Reactor appears courtesy of Metropolis Records
See more »

Frequently Asked Questions

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User Reviews

The Matrix: Deflated!
30 May 2003 | by uds3See all my reviews

The Wachowskis, having bitten off more than they can digitise in this, the second "coming" of so many computer nerd's wet dreams, have over-stepped their dubious talent here - obviously victims of their own hype! THIS is the computer game - THE MATRIX was the movie!

To be expected, the flick has its die-hard adherents who would happily take a lie-detector test to convince us that they alone can penetrate the bulldust and fathom a master-plan in progress. This armored, but essentially - cranially displaced movie, is, like the sum of Morpheus' spoutings, heavy on pretense, light on significance. Fishburne's Moses-inspired "address to the nation" atop Pride Rock, must rank as the most non-sensical piece of dialog ever uttered in a movie. Even HE looks utterly embarrassed to be there, frequently pausing as if wondering "WHAT did I just say?" The entire sequence in fact, including the orgiastic rave with a BLADE soundtrack, appears to have been inspired by THE TEN COMMANDMENTS.

As for THAT completely loopy and sex-less coupling with Carrie Ann Moss, I had to avert my eyes for fear of being rendered sterile! (Talk about LOT's wife!) C'mon....the woman looks old enough to be Reeve's mother and unintentionally cruel though it is, has any love interest ever been less attractive in the history of cinema? Reeves MUST have been wearing shades to do it! (Footnote to Miss Moss: No insult intended Carrie, I'm no better - way past my own use-by date but hey, LOVED the catwoman outfit!)

Reeves in fact appears majorly stilted and wooden throughout proceedings here (yeah, I know that IS par for the course for dear old Keanu, but Hell, couldn't NEO (gosh thats brilliant - anagram of ONE, Thank you HAL!) have had just a little fun? As for his excruciatingly prolonged brawl with the replicated Agent Smiths....what the HELL was that?.....realistic? meaningful? intellectual? spiritual? None of the above, this was pretentious, laughable, overlong and irritating. Did LESS than nothing for the flick's credibility. One may also well ask, why, with his ability to leap tall buildings and fly at warp factor 10, would he even be bothered with such mundane fisticuffs in the first place? If he can repel bullets and the considerably better equipped aliens simply by holding his hand up, whats the deal here with the army of Weavings? The sequence of course was not intended for logical contemplation. simply to impart to the popcorn-munching cretins that "hey, ain't this one FUN movie?"

Quantum physics, Crane-crap, Zen Buddhism, Armani fashions, Cecil B De Mille, Fritz Lang and Jacke Chan aside, what are we LEFT with here? A half-decent freeway chase and ONLY the second other intelligent part of the movie - the sequence with the architect. The latter being the greatest, most perceptive and well delivered flurry of meaningful adjectival literacy since Lord Henry gave Dorian a lesson in societal objectivity in THE PICTURE OF DORIAN GRAY. I cannot believe that greater than 2% of the MATRIX RELOADED's entire audience worldwide would have had the slightest idea of what was being said!

The less said about the ending (and I use the term loosely), the better. You want thought provoking Sci-fi? stick with 2001 or BLADE RUNNER. You want action? MAD MAX 2: THE ROAD WARRIOR leaves this for dead and WITHOUT CGI. You want superb characterisation? try BILLY BUDD on for size. Maybe gothic brilliance is your thing? THE INNOCENTS awaits you! You wanna be swept along with the crowd? better catch MATRIX RELOADED (actually a sequel to THE EMPEROR'S NEW CLOTHES) before you actually get a chance to think!


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