Grégoire Moulin, a shy accountant, sets up a blind date with a dance teacher at a bar. What he needed to do was just to cross the road. But it didn't happen to be as easy as it seems ...
See full summary »
Catherine, refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Scrambling to find someone willing to pose as his best pal, François enlists the services of a charming taxi driver to play the part.
A French public servant from Provence is banished to the far North. Strongly prejudiced against this cold and inhospitable place, he leaves his family behind to relocate temporarily there, with the firm intent to quickly come back.
What is going on here?!? French director, Michel Blanc (as Himself), just doesn't understand why his life is suddenly falling apart. This nightmarish comedy-thriller is all about identity. ... See full summary »
Paris, 1830: Vidocq is killed by a mirror masked man. A thief turned investigator, he was working on a case of men hit by lightning, burning up. A beautiful woman was involved. After Vidocq's death, his biographer tries to solve the case.
Grégoire Moulin, a shy accountant, sets up a blind date with a dance teacher at a bar. What he needed to do was just to cross the road. But it didn't happen to be as easy as it seems especially because of the final game of French soccer championship the very same night!Written by
If I had to give my opinion about this movie, I would say this: it is the meeting between "Amélie Poulain" (2001) and the Podalydès brothers' cinema. A shy and unassuming man would like to charm a woman, Odile. For this, he stole her wallet so as to arrange a date with her. She accepts. But what Grégoire doesn't know is that a series of unexpected events and disasters will turn his night into a nightmare. As we can see by reading this summary, the story rests on comparatively classical bases and Artus de Penguern (both the director and the main actor) told it with a zany and fanciful humor that gives birth to whacky comical situations. The meeting of two peaks of the French cinema (I must however admit that although I'm not very fond of "Amélie Poulain", I enjoy the Podalydès brothers' films) should give an entertaining success. But however, the movie doesn't work. All right, the comical sequences follow on from each other without injury times. All right, the presence of dreamlike sequences enables to lighten the movie (when Odile identifies with Mme Bovary). In another extent, through Grégoire's trouble, we can detect a caricature of French people who are (a little too) fond of football. A passion that can lead them to madness. The mayonnaise isn't thickening because there is too much ponderousness and not enough subtlety in Penguern's style. Because of this irritating fault that harms the film, it is difficult to laugh honestly and Odile should have crossed the street to reveal her love for Grégoire from the beginning. This latter wouldn't probably have known so much trouble...
This clumsy film was Penguern's first movie. Maybe, will he improve his style in next movies in the future.
2 of 13 people found this review helpful.
Was this review helpful to you?
| Report this