Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.
Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew. With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up.Written by
In order to prevent himself from getting "too excited," Michael Pitt has said he would dip "himself" into a glass of ice water before his graphic love scenes with Eva Green. See more »
After meeting Isabelle and Theo, and spending all night with them, Matthew gets back to his hotel room. In the meantime, it starts raining so the three of them cover themselves with Matthew's coat, but when he gets to his room and leaves the coat on the bed, it is perfectly dry. See more »
The first time I saw a movie at the cinématèque française I thought, "Only the French... only the French would house a cinema inside a palace."
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The end credits scroll down the screen (top-to-bottom), and multi-line entries are written to be read bottom-to-top. See more »
US R-rated version runs ca. 3 minutes shorter than the uncut NC-17-rated version. See more »
Written by The Doors
Published by Doors Music Co.
Performed by The Doors
Courtesy of Elektra Entertainment Group
By arrangment with Warner Strategic Marketing UK See more »
Only real film lovers will understand and love this work of art
"The Dreamers" is one of Bernardo Bertolucci's most underrated films. A mesmerizing love declaration for The Cinema, this unforgettable film must be discovered.
In 1968, 19-year-old American Matthew (Michael Pitt), while settling in Paris for studying French, meets two equally young, beautiful and liberal film buffs: the twins Isabelle (Eva Green, another Bertolucci's luminous discovery, like he did with Liv Tyler in "Stealing Beauty") and Theo (Louis Garrel, son of French director Philippe Garrel and the best of the cast). The twins' parents travel, and Matthew is invited to join the attractive duo in their apartment. He accepts the invitation, of course, and the threesome starts a bizarre game of seduction with a charming leitmotiv: riddles about classic films. Who doesn't know the right answer, has to do what he/she is asked to. In the background, student riots in defense of Henri Langlois and his merit on the Cinémathèque Française are breaking out on the streets.
The film is superb, artistically and technically. Bertolucci is top-notch, the soundtrack is overwhelming (with songs by Janis Joplin, Jimi Hendrix and Édith Piaf, among others), and the cinematography (by Fabio Cianchetti) is one of the best, if not the best, I've seen recently. Gilbert Adair, we can't forget, did an excellent job adapting his novel, "The Holy Innocents", to the big screens. The sex/full frontal scenes and amorality can shock some people, this is definitely not a film for all tastes (as almost all masterpieces), but those who are open-minded and admire good cinema, will be entranced. The ending is one of the most surprising, original and brilliant I've ever seen, but, unfortunately, not everyone will get it. That's a crying shame, but original films tend to be misunderstood. "The Dreamers" is no exception.
A must-see to all film lovers. My vote is 10.
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