Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
Documentary about Santiago, a peculiar man who used to work for the director and his parents as a butler. The material was filmed in 1992 but, for some strange reason, the director felt he ... See full summary »
A simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his promise in the end?
The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place... See full summary »
Short stories revolving around a bar and a hotel in Recife, unveil a mosaic of exotic characters living in the Brazilian underground: a butcher married with an evangelical woman, a ... See full summary »
For one week, Eduardo Coutinho and his team talked to 27 residents in an enormous building in Copacabana. Amongst these are a middle-aged couple who met through the classified ads in a newspaper, a call-girl who keeps her daughter and her sister, a retired actor, an ex-football player, and a janitor who suspects that his adopted father, whom he dreams about every night, is his real father. The subject of this documentary is private life in the big city, apartments as a last stronghold of individuality, in addition to emphasizing the fact that to live together in one and the same place does not ensure that a community will be formed.Written by
My mother has a friend who has lived in Edifício Master for over 20 years. So I have been to the building several times over all these years, mostly during my childhood. I recently met her and we spoke about the movie. She hated that it was made, and refused to be interviewed. She also did not watch the movie herself. There is a big stigma associated to buildings like Ed. Master (there are a few like it in Copacabana, but not that many). There are even stories about buildings that had their street numbers changed, so bad the reputation they earned, always in connection with prostitution and drug dealing. What I like about the movie, is that it shows that it is true that prostitutes do live there, but also that everyone is a human being, with often complex feelings. It is interesting to see how important it was for several of those interviewed to live in Copacabana, a famous postcard from Rio. Almost all of those are not from Rio, which adds a little to the postcard effect. Copacabana is indeed a very diverse, I'd even say strange place. Many tourists, a lot of violence, many street-kids snorting glue, smoking dope, a huge number of prostitutes. Both female and male (mostly transvestites). The only thing I think was missing was a transsexual interviewee (I'm sure there are some living there).
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