A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
"Everybody's Making Pictures," observes Martin Scorsese in this sly sequel to Robert Altman and Garry Trudeau's Emmy Award-winning satirical miniseries, Tanner '88. Sixteen years after Jack... See full synopsis »
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance.Written by
Andrea Barney <andrea808@hotmail..com>
Lessons in Passive Aggressiveness and how not to care about Characters
Ugh. The problem with The Company is that it's not a Robert Altman film. His touch is evident in the filmmaking and fly-on-the-Wall feel of the movie, but it's not his movie. It's Neve Campbell's, who wrote, produced, and starred in it. Campbell spent years with the national ballet and this movie was a labor of that passion. However, that is precisely where it goes wrong. It shoots for the wrong audience. Dancers will likely love this movie but they are the choir. They know how a dance company works, the back dealing and politics. They don't need this movie. The rest of us don't learn anything, or at least learn just enough to know that professional dancing is a horrible way to live. The dancing was beautiful, including Neve's, although she doesn't look quite as polished as her back ups in the company, but the characters were shallow and you are never given anything to grab onto to care about any of them. The only ones you root for the ones who are injured or fired so they can get out of that horrible horrible place. Such a disappointment on so many levels. The only thing that does come off well is the Joffrey. You actually leave the theater wondering if the Ballet company underwrote the production as a marketing expense.
3 of 4 people found this review helpful.
Was this review helpful to you?
| Report this