7.7/10
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Lost in Translation (2003)

R | | Drama | 3 October 2003 (USA)
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2:15 | Trailer
A faded movie star and a neglected young woman form an unlikely bond after crossing paths in Tokyo.

Director:

Sofia Coppola

Writer:

Sofia Coppola
Popularity
568 ( 148)
Won 1 Oscar. Another 97 wins & 128 nominations. See more awards »

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Cast

Cast overview, first billed only:
Scarlett Johansson ... Charlotte
Bill Murray ... Bob Harris
Akiko Takeshita Akiko Takeshita ... Ms. Kawasaki
Kazuyoshi Minamimagoe Kazuyoshi Minamimagoe ... Press Agent
Kazuko Shibata Kazuko Shibata ... Press Agent
Take Take ... Press Agent
Ryuichiro Baba Ryuichiro Baba ... Concierge
Akira Yamaguchi Akira Yamaguchi ... Bellboy
Catherine Lambert ... Jazz Singer
François du Bois ... Sausalito Piano (as Francois du Bois)
Tim Leffman Tim Leffman ... Sausalito Guitar
Gregory Pekar ... American Businessman #1
Richard Allen Richard Allen ... American Businessman #2
Giovanni Ribisi ... John
Diamond Yukai Diamond Yukai ... Commercial Director (as Yutaka Tadokoro)
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Storyline

Middle-aged American movie star Bob Harris is in Tokyo to film a personal endorsement Suntory whiskey ad solely for the Japanese market. He is past his movie star prime, but his name and image still have enough cachet for him to have gotten this lucrative $2 million job. He has an unsatisfying home life where his wife Lydia follows him wherever he goes - in the form of messages and faxes - for him to deal with the minutiae of their everyday lives, while she stays at home to look after their kids. Staying at the same upscale hotel is fellow American, twenty-something recent Yale Philosophy graduate Charlotte, her husband John, an entertainment still photographer, who is on assignment in Japan. As such, she is largely left to her own devices in the city, especially when his job takes him out of Tokyo. Both Bob and Charlotte are feeling lost by their current situations, which are not helped by the cultural barriers they feel in Tokyo, those cultural barriers extending far beyond just not... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Everyone wants to be found. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

English | Japanese | German | French

Release Date:

3 October 2003 (USA) See more »

Also Known As:

Lost in Translation See more »

Filming Locations:

Omote-Sando, Tokyo, Japan See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$925,087, 14 September 2003

Gross USA:

$44,585,453

Cumulative Worldwide Gross:

$118,685,453
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

John uses the phrase 'moshi moshi' incorrectly. It is used as a greeting in Japan, but only when using a telephone. It is almost never used face to face unless trying to get someone's attention. See more »

Goofs

The first time that Charlotte sits down with Bob at the bar, Bob drinks almost all of his whiskey, but in the next shot it is nearly full again. See more »

Quotes

[first lines]
Ms. Kawasaki: Welcome to Tokyo.
Bob: Thank you very much.
Ms. Kawasaki: My name is Kawasaki. Nice to meet you.
Bob: I've heard of you. Thank you.
See more »

Crazy Credits

At the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera. See more »

Alternate Versions

To get a PG rating in Australia, the topless bar scene was deleted, but restored in later versions See more »

Connections

Referenced in The Cinema Snob: Last Ounce of Courage (2016) See more »

Soundtracks

Nobody Does It Better
(1977)
(From the film The Spy Who Loved Me (1977))
Music by Marvin Hamlisch
Lyrics by Carole Bayer Sager
Performed by Anna Faris
See more »

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User Reviews

 
A masterpiece about the mood and states of the characters
5 March 2006 | by kevinmanfSee all my reviews

It is not easy to talk about "Lost in Translation". Sofia Coppola's second film as a director is in part about things we never talk about. While its two protagonists try to find mutual solace in each other, their silence is as expressive as their words. This is a film that believes that an individual can have a valuable relationship with someone else without becoming part of that person's life. At 19 years of age, I am not married but I can understand pretty well that it is easier for a stranger with whom you share a moment in the bar or corridor to understand your problems better than your husband or wife. Here is an extract from Roger Ebert's great review of the film: "We all need to talk about metaphysics, but those who know us well want details and specifics; strangers allow us to operate more vaguely on a cosmic scale. When the talk occurs between two people who could plausibly have sex together, it gathers a special charge: you can only say "I feel like I've known you for years" to someone you have not known for years."

In this marvellous story, the two lonely individuals that merge the illusions of what they have and what they could have are two Americans. The emotional refuge, Tokyo. We have Bob Harris (Bill Murray), and actor in his fifties who was once a star, and is now supplementing his incomes with the recording of a whisky commercial. On the other side of the telephone, a frightening reality: his wife, his sons, and the mission of choosing the right material for heaven knows what part of the house. When we consider Bob's situation, we realise that Lost in Translation is also a meditation on the misery of fame. Certainly fame has great (perhaps greater than disadvantages) advantages but then there are the obligations, the expectations...

We also have Charlotte (Scarlett Johansson), a woman in her twenties who is accompanying her husband, a photographer addicted to work, on a business trip. But it could said it is as if she is alone anyway. Her world, just like Bob's, is reduced to strange days in the bedroom, the corridors, the hotel's swimming pool, and the bar, the perfect destination for victims of sleeplessness and wounded soul. The bar is the place Bob and Charlotte meet for the first time. They talk, little, but just enough. Once their dislike for parts of their lives are established, they begin sharing times that feel dead to be able to feel alive.

Bob and Charlotte are souls in transition for whom, surrounded and confused by exotic rituals, and a different language, allows them a moment to lose their identities. Both characters provoke similar feelings form different experiences. There are no kisses or crazy nights between them, but only a shared intimacy in which a night out, a walk in the streets, a session of karaoke becomes a powerful expression of their affection an complicity. The relationship we all await only happens in our minds and the protagonists, whom we are not allowed to know everything they say and desire. Tokyo metaphorically speaking is the third character in the film. The bright colours, the noise of the city...just everything evokes the various spiritual awakenings of the characters.

It ends on a perfect note leaving the relationship of the characters undecided. A rare gem in modern day cinema.


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