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The Good Shepherd (2006)

The tumultuous early history of the Central Intelligence Agency is viewed through the prism of one man's life.


Robert De Niro


Eric Roth
2,624 ( 88)
Nominated for 1 Oscar. Another 2 wins & 11 nominations. See more awards »



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Cast overview, first billed only:
Matt Damon ... Edward Wilson
Angelina Jolie ... Margaret 'Clover' Russell
Alec Baldwin ... Sam Murach
Tammy Blanchard ... Laura
Billy Crudup ... Arch Cummings
Robert De Niro ... Bill Sullivan
Keir Dullea ... Senator John Russell, Sr.
Michael Gambon ... Dr. Fredericks
Martina Gedeck ... Hanna Schiller
William Hurt ... Philip Allen
Timothy Hutton ... Thomas Wilson
Mark Ivanir ... Valentin Mironov #2
Gabriel Macht ... John Russell, Jr.
Lee Pace ... Richard Hayes
Joe Pesci ... Joseph Palmi


Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


The true story of the birth of the CIA through the eyes of a man who never existed. See more »

Motion Picture Rating (MPAA)

Rated R for some violence, sexuality and language | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Universal [United States]




English | Spanish | Russian | German | Lingala

Release Date:

22 December 2006 (USA) See more »

Also Known As:

The Good Shepherd See more »


Box Office


$90,000,000 (estimated)

Opening Weekend USA:

$9,912,110, 24 December 2006

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


| (cut)

Sound Mix:

SDDS | Dolby Digital | DTS



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Phillip Allen (William Hurt) is partly based on Allen Dulles, O.S.S. operative, and later C.I.A. Director during the Bay of Pigs invasion. Contrary to popular belief, President John F. Kennedy was fascinated with the world of espionage and unconventional warfare, granting the U.S. Special Forces their trademark Green Berets, while his enthusiasm for the James Bond novels helped to popularize them. However, during the C.I.A.'s Bay of Pigs operation he refused to allow overt military support for the mission, and severely limited the number of air strikes allowed to be flown by the C.I.A.'s own aircraft, for fear of revealing the U.S. Government's role. Both decisions are widely considered to have doomed the entire enterprise to failure from the start. Ironically, Allen Dulles was appointed to the Warren Commission investigating the assassination of President Kennedy, Dulles' former boss. Kennedy had fired Allen Dulles as head of the C.I.A. See more »


Early in 1946, baseball gloves would still be the split finger style with minimal webbing. Wilson's son is shown sitting in the hallway with a glove more appropriate to the 1950/60s. See more »


Edward Wilson: How do you know I am the right person?
Ray Brocco: I was told you were a serious son of a bitch with no sense of humor, there can't be two of you
See more »


Where or When
Written by Richard Rodgers and Lorenz Hart
Produced by Bruce Fowler
Performed by Vince Giordano and His Nighthawks Orchestra (as Vince Giordano and The Nighthawks Orchestra)
See more »

Frequently Asked Questions

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User Reviews

Too much like the agency it portrays: slow, murky, unclear and emotionally distant
25 January 2007 | by pyrocitorSee all my reviews

Speaking as a viewer who had been eagerly anticipating the release of this movie since way back in the days when Leonardo DiCaprio was attached to star, I can honestly say I was very disappointed in the final outcome. Perhaps the film had simply become too hyped, with everyone proudly boasting it as "De Niro's comeback", but... suffice to say, no matter how hard I tried to enjoy this movie, it completely failed to entice me in any way, shape or form.

Director Robert De Niro tries a bold new touch by attempting a "CIA feel" for the film, in the sense that an element of mystery is present throughout the entire plot, attempting to better immerse us in the world of lies, deception and uncertainty that was the early CIA. Unfortunately, this method backfires very noticeably, as the plot seems to weave all over the place and we are presented with flat, uninteresting characters who are denied the further development or screen time which might actually have made them appealing. We are simply presented with a slew of famous faces in tiny roles, appearing and disappearing so quickly we barely have the chance to register their presence, but there is no connection with the characters, nor the long, overly confusing convoluted plot they play a part in.

But the film's real weakness is the apathy factor. In a recent interview, De Niro acknowledged his intent that the plot should be more elusive and less obvious, to make the viewer work harder and appreciate the film further. He then proceeded to mention how viewers should be emotionally affected and connect with the characters, even if the plot may not always be clear, and we may not always what's going on, or who's killing who, or why. This is where De Niro's film really loses its viewers; the fact that not only is there not enough emotional connection to coast by, ignoring a lack of plot continuity, but the fact that there is no emotional connection whatsoever. Not only do we not know what is going on, nor are able to keep up fast enough to catch onto what few plot clues we may, but we can't invest enough interest into the film to do so. After a few scenes of brief, murky, unexplained and unrelated plot excerpts and confusing flashbacks from present to past times (made more difficult by the fact that James Wilson, Matt Damon's character never seems to age, and appears the same even 20 years later) we lose interest entirely, and find ourselves unable to care for the characters, nor care what is happening. We are kept at such a distance, both through an intentionally unclear plot and by uninteresting flat archetypes of characters that any interest we might originally have retained in the film quickly evaporates.

It's a shame that the film is so emotionally distancing though, as on the exterior it does appear to be a very stylish and classy piece of work. The cinematography is superb, capturing many unique, innovative shots and scenes, and the costume and set design are simply sumptuous, perfectly capturing the feel of the time period in a glossy, picturesque fashion. It is a shame how fully the apathy factor permeates the film though, because Eric Roth's script seems to be terse, tight, and engaging, but many lines are inaudible through muttering or fast speaking characters, and we are simply kept at such an emotional distance it is beyond us to make an effort to follow the rapid fire, confusing exchanges. We want to like the script, but it is so twisty and clouded with uncertainty, much like a CIA document itself, that we find ourselves also left in the dark.

De Niro has assembled a stellar cast here, but he seems content to reduce most of them to very un-flashy cameos, giving us little chance to connect with any of the characters. Matt Damon is an effective figure as the film's star, James Wilson, remaining admirably cold, detached and stoic throughout the film, but the plot backfires once again - a lead character who is meant to be, all pretenses aside, boring, still comes across as boring, no matter how strongly they are played. Angelina Jolie seems a bit out of place as Wilson's spunky yet abandoned wife; she plays the part well enough, but fails to submerge her star power and charisma in a role where a much less noticeable and subdued female lead would've been far more effective. John Turturro stands out as a vicious CIA interrogator, one of the few flashes of emotion or engaging character action in the entire film, and Joe Pesci makes good use of his far too brief cameo as a mob boss. There are also noteworthy appearances by Michael Gambon, Billy Crudup, Alec Baldwin, William Hurt, Tammy Blanchard and Timothy Hutton, but their parts are reduced to far too brief and uninteresting segments for us to really connect with or care about their characters. De Niro himself almost steals the show with a tiny role as a military general who constantly complains about his feet.

All in all, the Good Shepherd comes across as a tremendous disappointment, considering the incredibly successful film it was poised to be. Maybe I had too many expectations, having looked forward to the movie for so long, or maybe the film was overly hyped, but either way, the film falls flat as far too long, self indulgent, emotionally distancing and just plain uninteresting, wrapped together in a bundle of self-imposed apathy. All except for fans of Robert De Niro or the rest of the cast willing to sit through an extremely long and un-engaging movie should give this one a pass, lest De Niro's self confidence be flattened forever.


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