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The Da Vinci Code (2006)

PG-13 | | Mystery, Thriller | 19 May 2006 (USA)
Trailer
1:06 | Trailer
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.

Director:

Ron Howard

Writers:

Akiva Goldsman (screenplay), Dan Brown (novel)
Popularity
1,600 ( 208)
Nominated for 1 Golden Globe. Another 8 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Robert Langdon
Audrey Tautou ... Sophie Neveu
Ian McKellen ... Sir Leigh Teabing
Jean Reno ... Captain Bezu Fache
Paul Bettany ... Silas
Alfred Molina ... Bishop Manuel Aringarosa
Jürgen Prochnow ... Andre Vernet
Jean-Yves Berteloot ... Remy Jean
Etienne Chicot ... Lt. Collet
Jean-Pierre Marielle ... Jacques Saunière
Marie-Françoise Audollent ... Sister Sandrine
Rita Davies ... Elegant Woman at Rosslyn
Francesco Carnelutti Francesco Carnelutti ... Prefect
Seth Gabel ... Michael
Shane Zaza ... Youth on Bus
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Storyline

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy ...

Plot Summary | Plot Synopsis

Taglines:

Seek the truth, seek the codes. See more »

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for disturbing images, violence, some nudity, thematic material, brief drug references and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Malta | France | UK

Language:

English | French | Latin | Spanish

Release Date:

19 May 2006 (USA) See more »

Also Known As:

The Da Vinci Code See more »

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Box Office

Budget:

$125,000,000 (estimated)

Opening Weekend USA:

$77,073,388, 21 May 2006

Gross USA:

$217,536,138

Cumulative Worldwide Gross:

$758,239,851
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Dolby Digital | DTS | SDDS (8 channels)| Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Shipped to cinemas as "Artistry" in three cans. See more »

Goofs

(at around 49 mins) The cryptex was said to be made by Leonardo Da Vinci, and the clue to open it refers to Isaac Newton's grave. Da Vinci (1452-1519) died 124 years before Newton (1643-1727) was even born. However, Sophie says that the cryptex was only designed by Da Vinci, not made by him. In the novel, Sophie states that this cryptex was built by her grandfather. See more »

Quotes

[first lines]
Silas: Stop now. Tell me where it is.
[removes hood]
Silas: You and your brethren possess what is not rightfully yours.
Jacques Saunière: I... I don't know what you are talking about.
Silas: Is it a secret you will die for?
Jacques Saunière: Please.
Silas: As you wish.
[cocks gun]
See more »

Crazy Credits

No opening credits are shown after the title of the movie. See more »

Alternate Versions

An extended version is available on DVD and is 26 minutes longer. The additional scenes include, among others, Sophie threatening to deface 'The Madonna of the rocks' to aid her and Langdon's escape from the Louvre, flashbacks of Silas killing the other Senechaux, Silas' escape from Prison, Collet discovering the surveillance room, Fache debriefing and apologizing to Langdon and Sophie, and a scene is which Sophie and Langdon discuss religion during the flight sequence. Many verbal exchanges between characters in many scenes are extended. See more »

Connections

Referenced in The King James Code, Volume 5: Revelation 666 (2011) See more »

Soundtracks

La Javanaise
Music by Serge Gainsbourg
Lyrics by Serge Gainsbourg
Performed by Serge Gainsbourg
Courtesy of Mercury Records France, a division of Universal Music S.A.
Under Licence from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

A major disappointment......
17 May 2006 | by Screen-SpaceSee all my reviews

Screened overnight for Australian media.

Four words - wrong star, wrong director.

Hanks and Howards best work, both together or separately, have been when they embrace intrinsically American values in their films. All their most memorable movies have involved individuals overcoming hardship through an unshakable belief in love and courage, usually set against an outwardly US-centric interpretation of events. Think Apollo 13, Forrest Gump, Cinderella Man, Saving Private Ryan - all fine films, all centred on an American hero rising above their circumstance.

What is conspicuously absent from either man's resume is a European-set, religious-themed mystery thriller. Having sat through their arduous, laborious adaptation of Dan Brown's novel, I can now see why.

The plot is total bunkum - a hodgepodge of "what ifs" and "oh my god" moments spun on the ludicrous premise that Leonardo Da Vinci had some sort of insight into the life of Christ - but loopy story lines have not stopped many films from being enjoyable.

What makes The Da Vinci Code so deathly dull is the heavy-handed, oh-so-serious approach Howard applies to the material. Combining with his cinematographer to give the film a sleepy nocturnal feel (not so clever given the 150min running time), Howard's film is just a constant flow of expository clues that fail to create any tension or engender his leads with any human qualities. Even for those that haven't read the book, a couple of obligatory 'big twists' in the story are very obvious from early-on.

Hanks (looking more like Jim Belushi than ever) and McKellen blather on and on and on about knights and saints and symbols and God as if they were giving a lecture at some Ivy-league school for the supernatural; Audrey Tautou is lovely but has little to do in a role that is plot- not character-driven. Jean Reno ambles thru another of his token French cop parts (he was better in the Pink Panther); Paul Bettany's evil albino Silas at least got some audience reaction, though giggles and guffaws were probably not what he was hoping for.

Whatever sense of fun and excitement the book provided is fully-drained from this adaptation. Come credit time, I had the realisation that all this hokey, airport-novel religious hooey and B-movie plotting would've made for a great X-files episode in that series heyday. As the end-product of a publishing phenomenon and carrying the tag "Years Most-Anticipated", its a boring dud.


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