Cast overview, first billed only: | |||
Max Riemelt | ... | Friedrich Weimer | |
Tom Schilling | ... | Albrecht Stein | |
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Jonas Jägermeyr | ... | Christoph Schneider |
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Leon A. Kersten | ... | Tjaden (as Leon Alexander Kersten) |
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Thomas Drechsel | ... | Hefe |
Martin Goeres | ... | Siegfried Gladen | |
Florian Stetter | ... | Justus von Jaucher | |
Devid Striesow | ... | Vogler | |
Joachim Bißmeier | ... | Anstaltsleiter | |
Michael Schenk | ... | Sportlehrer | |
Justus von Dohnányi | ... | Gauleiter Heinrich Stein (as Justus von Dohnàny and Justus von Dohnányi) | |
Claudia Michelsen | ... | Frau Stein | |
Julie Engelbrecht | ... | Katharina (as Julie Marie Engelbrecht) | |
Johannes Zirner | ... | Torben Send | |
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Alexander Held | ... | Friedrichs Vater |
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls, seeing this as his ticket out of factory life to university and a good salary. During his year in seventh column (fifth form), this innocence is altered as Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education; a night in the forest hunting for escaped Russian POWs brings things to a head. Written by <jhailey@hotmail.com>
This film which depicts an elite Nazi teenage male youth training facility takes place in Germany during 1941 or 1942. Students are being trained to become future leaders after Germany wins the war. Much of the training is brutal. Students are taught to win regardless of any pain that their actions might cause their fellow man - whether friend or foe, fellow countryman or enemy. The film tells how the students accept or reject their training and the consequences of their decisions/indecisions.
I saw this film at the 2005 Palm Springs International Film Festival at a "Best of Fest" special showing. It certainly should be a candidate for an academy nomination as "Best Foreign Language Film" but I do not know if it has a distributor for North America. It reminded me somewhat of a 2003 Palm Springs festival entry - EVIL/ONDSKAN (Dir. Mikael Hafstrom/Sweden) - which also packed an emotional kick in the gut that left me stuck in my seat for at least five minutes after the film had ended. Napola is the better of the two films by far. Great acting, script, direction, music, etc. See it on a big cinema screen if at all possible since film makes great use of the colors that will not have a similar impact in a video format.