The story of New Zealander Burt Munro (Sir Anthony Hopkins), who spent years rebuilding a 1920 Indian motorcycle, which helped him set the land speed world record at Utah's Bonneville Salt Flats in 1967.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for fifty years.
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
For twenty-five years in Invercargill, New Zealand, Burt Munro (1899-1978) has been working on increasing the speed of his motorcycle, a 1920 Indian. He dreams of taking it to the Bonneville Salt Flats to see how fast it will go. By the early 1960s, heart disease threatens his life, so he mortgages his house and takes a boat to Los Angeles, buys an old car, builds a makeshift trailer, gets the Indian through customs, and heads for Utah. Along the way, people he meets are charmed by his open, direct friendliness. If he makes it to Bonneville, will they let an old guy on the flats with makeshift tires, no brakes, and no chute? And will the Indian actually respond?Written by
When Burt Munro and the Air Force guy make the left turn onto the salt flats, we see in the background the double-ended arrow indicating that the road ends and drivers must make a right or left turn. Below the double-ended arrow, we can see iconic angle arrows also pointing left and right. Arrows of this type were not introduced onto the roads until the mid-1980s. See more »
[rolling a distance gauge]
93... 94... 95... 96... 97...
See more »
A beautifully simple tale with great vibes and no villains.
All I knew about this movie going in was that it was the life story of an Ivan Mauger-type motorcyclist whom I'd never heard of; that he was a Southlander; and that Anthony Hopkins was playing the chap - complete with a rolled rrrr's Southland accent. I came away with a feeling similar to when I first saw "Tucker the man & his dream" and "Cool runnings" - A genuine feeling of euphoria that someone whom I ordinarily would have little particular interest in, has accomplished a dream. Roger Donaldson has created a rare cinematic masterpiece with "The world's fastest Indian" - he has crafted a feel-good movie which achieves a "Field of dreams" emotional level with a climax which is deliberately low-key and in keeping with the subject matter. Despite the fact that Burt Munro's efforts set an as-yet unbeaten world record, he was a humble bloke who just went back to his shed at the end of the day to tinker. I loved this movie because it tells a straight-forward tale of someone so fixed on his dream that anyone he comes into contact with simply can't help but do what they can to help him. There are no villains in this movie - except bad luck and circumstance. And the way Munro overcomes adversity is incredibly charming, and an inspiration to anyone. Sir Anthony Hopkins is incredible, as usual. There aren't many actors who could pull off the Antipodean twang and the Southland R-rolling to boot! But Hopkins carries it off almost impeccably. The shimmering cinematography on the Bonneville salt flats is another highlight of this masterpiece, and I think I'm going to have to see it again before it winds up its run at my local cinema to fully appreciate it! (The first time I was too caught up in the agony of Burt's struggle!) This truly is a great flick. Probably not an Oscar winner, but for me, "World's fastest Indian" belongs alongside the aforementioned "Tucker," etc. There's probably not much point in releasing it in the United States - it's not their kind of feel-good movie. But I sure hope Donaldson takes it to Cannes...the Europeans should like it as much as "Whale rider."
109 of 120 people found this review helpful.
Was this review helpful to you?
| Report this