Critic Reviews



Based on 14 critic reviews provided by
New York Daily News
What stands out, not surprisingly, is the work and passion that goes into the shows. But seeing all this from the inside creates an extraordinary level of empathy for those involved.
The A.V. Club
ShowBusiness is a smart, highly entertaining piece of cinema-reportage, but it never quite rises to the level of penetrating insight or emotional catharsis.
Village Voice
Producer/director Dori Berinstein knows her way around a Broadway show -- she's produced 11 of them, including her latest, Legally Blonde -- and her insider status no doubt helped secure behind-the-scenes access as she tracks one season in the life of four musicals, and explains the unusual level of intimacy between interviewer and subjects.
It's riveting to watch the shows' respective creators work, clash, whine, celebrate and commiserate as the season and their stories unfold.
Following the shows from rehearsals to Tony Awards night, she gets behind the scenes and does a good job conveying the incessant anxieties and glee of the talents involved.
Chicago Tribune
Much of this strikingly human, rapidly paced and laudably well-rounded film is fascinating.
ShowBusiness is packed with telling details that the director, Dori Berinstein, was lucky to catch on camera.
The film is a love letter to theater and the people who make it.
Along the way Dori Berinstein's cameras catch gallant theater people doing what they've done since Sophocles was a pup: rehearsing, revising, worrying, learning, stretching, struggling to bump things up from good to wonderful and constantly, fervently hoping.
New York Post
You'll have to look elsewhere than this love letter to the Great White Way to explain why "Wicked" and "Avenue Q" became huge hits, and why "Caroline, or Change" joined "Taboo" as a costly flop.

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