9 user 29 critic

The Treatment (2006)

Not Rated | | Comedy, Drama, Romance | 28 April 2006 (USA)
Jake Singer is at loose ends in New York City, and neck deep in psychoanalysis with the outrageous Dr. Morales, when he meets the enigmatic and beautiful widow Allegra Marshall.


Oren Rudavsky
1 win. See more awards »


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Cast overview, first billed only:
Chris Eigeman ... Jake Singer
Stephanie March ... Julia
Ian Holm ... Dr. Ernesto Morales
Famke Janssen ... Allegra Marshall
Peter Vack ... Ted
Griffin Newman ... Scott
Josh Caras ... Phil (as Josh Barclay Caras)
Matt Stadelmann ... Chris
Lindsay Johnson Lindsay Johnson ... Walter Cooper
Roger Rees ... Leighton Proctor
Stephen Lang ... Coach Galgano
Thomas Bubka Thomas Bubka ... Other Coach
Maddie Corman ... Patty Mcpherson
Stephen Lee Anderson Stephen Lee Anderson ... Bill Daniels
Tyrone Mitchell Henderson ... Gerry Leonard


Jake Singer is at loose ends in New York City, and neck deep in psychoanalysis with the outrageous Dr. Morales, when he meets the enigmatic and beautiful widow Allegra Marshall.

Plot Summary | Add Synopsis


A comedy about life, love... and escaping your shrink.


Comedy | Drama | Romance


Not Rated | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official site





Release Date:

28 April 2006 (USA) See more »

Also Known As:

Amo-te dos Pés à Cabeça See more »

Filming Locations:

New York, USA


Box Office


$900,000 (estimated)

Opening Weekend USA:

$14,196, 6 May 2007

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital



Aspect Ratio:

1.78 : 1
See full technical specs »

Did You Know?


John Zorn who composed the score for this movie won a MacArthur Foundation, the "Genius" award for his music in 2006. See more »


When Singer first meets Ms. Marshall, at some point he's having a sip of soda. Immediately in the next scene, no soda, no swallowing, no nothing. See more »


Dr. Ernesto Morales: "I suppose, maybe, I guess." Constructing passive sentences is a way of concealing your own testicles lest someone cut them off.
See more »


References X-Men (2000) See more »


Peaceful Miles
Written by Brad Hatfield
Performed by Brad Hatfield and Ken Cervenka
Courtesy of Heavy Hitters
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Frequently Asked Questions

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User Reviews

Worth Seeing
4 May 2008 | by Richard_vmtSee all my reviews

I grabbed this off the shelf without much thought but was generally pleased with it as a selection. It is the story of a single Manhattan high school teacher who is in psychotherapy. The film makes good use of fantasy by startling us with

imaginary interventions by his extraordinarily aggressive and ribald therapist at dramatic junctures during his day.

While the leading character, Jake, has experienced a romantic disappointment in an earlier relationship, the main thrust of his therapy seems directed at a battle against mediocrity. Apparently, a

career as a high school teacher does not count as success. Apparently also, the elderly therapist considers a year without sex a major red flag. Apart from these shortcomings, Jake seems to conduct himself cautiously but extremely well, leaving me wondering about the correctness of his mediocrity.

This film does a good job of representing older people, for example the therapist and Jake's father, as well as others, as something else besides useless. Here they are accepted enough to assert themselves, their intelligence is respected and occasionally heeded.

The plot held my attention through its twists and turns. Two points I felt were a lapse into hackneyed stereotypes involved the feminism of his lover, Allegra. To begin with, she initiates the first sex (even though things seemed to be proceeding along nicely) and routinely assumes the aggressive role after that as well. I questioned whether this would really be cool in real life. I suppose this could be taken as the otherwise lacking evidence of his neurosis by accepting it except that it is all her actions.

Secondly, after they have had frequent and mutually gratifying sex, get along great, he well on his way to being accepted by her two children, and to cap it all off she is about to lose custody of her young daughter because the adoption stipulated a two-parent household-- with all this in play she rejects his heartfelt proposal of marriage because she is 'not ready' just a year after becoming a widow. These two facts might suggest that she, a rich woman, was using him as a convenience. However, the rest of her character as portrayed does not support that at all. Instead the flick is merely waving a PC flag of liberated woman-- even when it is absurd-- to garner brownie points.

Ultimately however, all such complexity of living is suddenly swept away in a traditional happily-ever-after romantic ending--but one so hasty that I definitely felt they were running out of film. I don't want to sound like I would entirely re-engineer the film, but I definitely felt it was going somewhere else.

But these are lapses in authenticity in a film notable for authenticity. It is an engaging and often quite funny flick.

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