Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the ...
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A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an inspector becomes set on discovering the demise of their affair.
Seventy 60 second single-takes, one feature film. 70 contributors who are special to The Cube joined forces to make one extraordinary feature film that helped secure the future of the building where the cinema has lived since 1998.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (... See full summary »
Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the neighbouring farmers take against the unborn child, it's her very survival that is threatened.Written by
Wild Bunch Distribution
I wanted to write a review of "Puffball" when I saw the rather negative post that rated it 1/10. While I understand that some might see this film as a disappointment, I didn't want other moviegoers to dismiss Nic Roeg's latest right away.
Set in the Irish countryside, "Puffball" tells the story of Liffey (Kelly Reilly), a young architect who finds herself unexpectedly pregnant while renovating a rundown cottage. Her new neighbor Mabs (Miranda Richardson) has three daughters already, but is desperate for a son. Convinced that Liffey has "stolen" the baby, Mabs' mother Molly (Rita Tushingham) resorts to witchcraft to put Liffey and her fetus in peril. Though quite bizarre, "Puffball" still manages to teach the audience about relationships, motherhood and family.
Another user described "Puffball" as a mess. Though I clearly enjoyed the film more than they did, I understand, to a certain extent, what they meant. When watching the film, I got the distinct impression that beneath what I was seeing, a better film was struggling to get noticed. For this, I think the blame lies mostly the editor (who seems to have an unhealthy fondness for fade outs) and the numerous composers (who clearly weren't working together), because the images are lovely, the film is very well shot, the performances (particularly Reilly's as Liffey) are strong and the story is compelling. The script shows a few weaknesses (the point the other reviewer made about Odin's standing stone is a fair one), but all in all demonstrates a fascinating interpretation of Fay Weldon's novel. Of course, fans of Fay Weldon's "Puffball" may very well be confused by her son's adaptation (the novel and the script hardly resemble one another), but I think anyone with an open mind will find something to appreciate in this film.
33 of 42 people found this review helpful.
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