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Joe Strummer: The Future Is Unwritten (2007)

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As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ... See full summary »

Director:

Julien Temple
1 win & 4 nominations. See more awards »

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Cast

Credited cast:
Brigitte Bardot ... Herself (archive footage)
Bono ... Himself
Steve Buscemi ... Himself
Terry Chimes ... Himself
John Cooper Clarke John Cooper Clarke ... Himself
John Cusack ... Himself
Peter Cushing ... Winston Smith (archive footage)
Johnny Depp ... Himself
Matt Dillon ... Himself
Tymon Dogg Tymon Dogg ... Himself
Joe Ely ... Himself
Dick Evans Dick Evans ... Himself
Flea ... Himself
Alasdair Gillis ... Himself
Ian Gillis Ian Gillis ... Himself
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Storyline

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash. Written by IFC First Take

Plot Summary | Add Synopsis

Taglines:

A celebration of Joe Strummer - Before, during and after The Clash


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK

Language:

English

Release Date:

18 May 2007 (Ireland) See more »

Also Known As:

Il futuro non è scritto - Joe Strummer See more »

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Box Office

Opening Weekend USA:

$20,880, 4 November 2007

Gross USA:

$248,362

Cumulative Worldwide Gross:

$1,108,740
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Connections

Featured in 'Joe Strummer': The Man (2007) See more »

Soundtracks

Who's Gonna Shoe Your Pretty Little Foot
Written by Woody Guthrie
Performed by The Clash
See more »

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User Reviews

 
punk's Bob Dylan? he did want to be Woody Guthrie at one point...
24 November 2007 | by Quinoa1984See all my reviews

Joe Strummer: The Future is Unwritten is maybe the first time one has seen a documentary done a "punk rocker" like this, where it's a story of the ups and downs and valleys and little peaks for a rock star done in the style of Eisenstein caught in the midst of a room covered with punk garb and an assistant with a mohawk. It mixes archival footage, interviews, movie footage from Animal Farm and 1984, Peter Cushing movies and Raging Bull, as well as a kind of loose structure formed out of 'London Calling' radio clips that Strummer did with his own music choices for his audience, and it's a mix that the suits the director wonderfully. His previous film was a revisionist take on the Sex Pistols- maybe the masterpiece of punk-rock docs, the Filth and the Fury- and the Future is Unwritten comes just as close to the subliminally, anger, trouble, and creative spirit that went with its subject matter.

Can anyone completely know Joe Strummer? Probably the same could go for Bob Dylan, who also has a movie about him out now that stretches the boundaries of cinema in I'm Not There. Temple raises questions for the fans of the Clash who might've not known certain things; that Strummer could be a very generous front-runner to the fans that needed help, and could also get p-od if his audience wasn't in some check with himself (or rather that they could be connecting with the audience and not some abstract rock-blob, which they feel they become by the time of Shea stadium); that towards the end of the Clash it was just Strummer and his management team (!); that Strummer anguished for the better part of a decade over how his career would go- this part I did know- that he went into some movies, made a horrible effort to get out of his record contract, and drifted in the tide of experiencing whatever for inspiration. His tale is more enigmatic than most, but as any artist he was many things at any time: moody to a fault, pushy, pleasant, quiet, frustrated, quixotic, and always with ideas that could come from anywhere, from Central American rebel uprisings to his walk from one place to another.

It is, more often than not, a sad film, probably more-so than the destructive tome on the Pistols, because Temple brings up many 'what-ifs', and a lot of the loneliness that could encompass Strummer (i.e. the scene when he's recording for days on end by himself in the studio shows him frayed and frazzled, as he sometimes appears in interviews too) and carried around him with, as any major rock and roll personality has, a rotten past and family history (father, brother, et all). But all those moments when Temple gets the audience to really feel the weight of the fact that such a man has been gone for good for five years now, he also reminds us brilliantly what he DID accomplish. There is a mark left from him, on his fans and on his loved ones and on the likes of Bono and Scorsese and (as funny as it is to see him Jack Sparrow-ed up) Depp, not to mention practically any *good* punk band.

Strummer was a thinking-man's punk, one who's lyrics could be taken into context of political and social significance, and had the stamina- along with his rowdy band-mates- to try and do what few rock bands could ever do: make a significant impact on consciousness, as if it were intuitive to do so. That they were eclectic didn't hurt either (even if, arguably, the Clash were more significant than the Mescaleros could ever be). And, in the end, the Future is Unwritten is mandatory viewing for anyone who gave a g*damn about the Clash or about the progression of the creative forces that started, actually, in folk and hippie music, progressed through punk, and went back out again into techno and, gasp, hippies and punks combined! It's daring for what's in-between the lines of the typical rock and roller story, and how Temple and his team make one of the best edited films of the year.


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