A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
Director:
Michael Winterbottom
Stars:
Colin Firth,
Perla Haney-Jardine,
Willa Holland
A brokenhearted English artist travels to Hope, USA, hoping to get on with his life. He starts by drawing faces there. He befriends the cute Mandy. But then his scheming ex shows up and wants him back.
Director:
Mark Herman
Stars:
Colin Firth,
Minnie Driver,
Mary Steenburgen
Memoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son and his ... See full summary »
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.
Director:
Stephan Elliott
Stars:
Jessica Biel,
Ben Barnes,
Kristin Scott Thomas
A beautiful young single mother feels the pressure from the ex-pat Nigerian community to get married. Her precocious son has met his hero, a cynical English comic book writer and decides he... See full summary »
A story of a man who fakes his own death and assumes a new identity in order to escape his life, who then moves in with a woman who is also trying to leave her past behind.
Set in modern day Buenos Aires, the film centers around a relationship between two emotionally crippled roommates. Adrian LeDuc is a lonely sociopath who is forced to rent his insane ... See full summary »
A young couple begin to receive daily visits from their downstairs neighbor, Steve. Steve draws attention to various practical problems and is eager to have tea, but what is really on his mind?
The writer Blake Morrison has a non-resolved relationship with his bragger and wolf father Arthur Morrison. However, when Arthur is diagnosed with a terminal intestine cancer, Blake leaves his wife and children and travel to the village where he spent his childhood and adolescence to help his mother and his sister to take care of Arthur along his last days. The location brings recollections of his problematic relationship with his father.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Winter Weather
Written by Ted Shapiro
Published by EMI Music Publishing Ltd
Performed by Joe Williams
Licensed courtesy of EMI Records Ltd and Rhino Records See more »
No other actor could have played Jim Broadbent's part. He's fantastic as the stout father, who can never quite relay his intimate feelings and emotions to his son, who is played with understated brilliance by Colin Firth. Sarah Lancashire deserves a mention, who has a small part but delivers with consistent aplomb (she's great on the telly), and Matthew Beard as the young Blake Morrison, upon whom the film and book are auto-biographically based.
As his father lays on his deathbed, the son recounts his childhood memories of the part his dad played in his life, whether funny, mean, sad or eccentric. Smart direction plus great lead performances, at least one of which is definitely worthy of an Oscar, adds to the overall emotional connection with the audience and culminates with a surprisingly touching ending, despite it's inevitability.
Having seen the film with my mum, who not only read the book by Blake Morrison, but had a father much like the one portrayed in the film, I found it all the more connectible. But this is not to say it is not for everyone. I think we can all relate to the fathers who can never quite express how they truly feel, and the childhoods spent moping and dwelling on seemingly world-shattering things.
The cinema i saw this in had about ten people at most, which is shocking! We need to see more British films like this, if just to keep the British film industry going. It deserves to fill a theatre and gain much more exposure than it currently has, regardless of those who might say it would have been better placed on television.
It is a superb film, thoughtfully shot, very well written and a joy to be in the company of for all of it's ninety minutes. And yes, I cried at the end. Sniff. But maybe you will too.
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No other actor could have played Jim Broadbent's part. He's fantastic as the stout father, who can never quite relay his intimate feelings and emotions to his son, who is played with understated brilliance by Colin Firth. Sarah Lancashire deserves a mention, who has a small part but delivers with consistent aplomb (she's great on the telly), and Matthew Beard as the young Blake Morrison, upon whom the film and book are auto-biographically based.
As his father lays on his deathbed, the son recounts his childhood memories of the part his dad played in his life, whether funny, mean, sad or eccentric. Smart direction plus great lead performances, at least one of which is definitely worthy of an Oscar, adds to the overall emotional connection with the audience and culminates with a surprisingly touching ending, despite it's inevitability.
Having seen the film with my mum, who not only read the book by Blake Morrison, but had a father much like the one portrayed in the film, I found it all the more connectible. But this is not to say it is not for everyone. I think we can all relate to the fathers who can never quite express how they truly feel, and the childhoods spent moping and dwelling on seemingly world-shattering things.
The cinema i saw this in had about ten people at most, which is shocking! We need to see more British films like this, if just to keep the British film industry going. It deserves to fill a theatre and gain much more exposure than it currently has, regardless of those who might say it would have been better placed on television.
It is a superb film, thoughtfully shot, very well written and a joy to be in the company of for all of it's ninety minutes. And yes, I cried at the end. Sniff. But maybe you will too.