Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for fifty years.
A former British Army officer, who was tortured as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
Becca and Howie Corbett are a happily married couple whose perfect world is forever changed when their young son, Danny, is killed by a car. Becca, an executive-turned-stay-at-home mother, tries to redefine her existence in a surreal landscape of well-meaning family and friends. Painful, poignant, and often funny, Becca's experiences lead her to find solace in a mysterious relationship with a troubled young comic-book artist, Jason - the teenage driver of the car that killed Danny. Becca's fixation with Jason pulls her away from memories of Danny, while Howie immerses himself in the past, seeking refuge in outsiders who offer him something Becca is unable to give. The Corbetts, both adrift, make surprising and dangerous choices as they choose a path that will determine their fate.Written by
In the party scene at the bowling alley when they start opening the presents, they open two: Becca's and the mom's present. After the argument about the gift they hand Izzy a big box with a safety pin wrapping paper. When they start bowling again, you can see the big box and Becca's gift fully wrapped on the table behind Izzy. See more »
'Rabbit Hole' is a nice tidy showcase for the acting talents of an above average cast, but the story doesn't have much of an arc, and neither do any of the characters. Prosperous middle-class Becca and Howie have lost their four-year-old son in a car accident eight months prior to the film's opening. Howie is struggling to move on from their loss, but Becca tries to deal with the situation by suppressing her feelings. She rejects her husband's overtures for mutual consolation, treats friends and family with icy politeness when she's not snapping at them, and tries to banish memories of her deceased son by disposing of his possessions. The couple interact joylessly with their acquaintances and each other as they struggle with the burden of grief, even as their differing responses to the tragedy widens the breach in their relationship. Director Mitchell extracts respectable performances from the actors playing the six principal characters - Aaron Eckhart in particular - but he misses several opportunities to give his characters sympathetic nuances that would have resulted in deeper emotional impact. Unfortunately, in the final analysis the film doesn't amount to much more than a superior Sunday Night TV-movie weepie for some bourgeois intelligentsia demographic.
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