Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Ramiro Forteza, a goalkeeper in the Spanish Premier League, is forced by the rigors of the Civil War and the postwar period to earn a living in small villages, challenging the locals to ... See full summary »
Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives ... See full summary »
Year 1974, Spain. Felipe (Fernando Ramallo) is a teenager who travels with Lorenzo (Antonio Resines), his widowed father. Their only property is the Citröen DS with which they go from one ... See full summary »
Emilio Martínez Lázaro
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
Ourense, Spain, 1940. Every time that Elena locks the door, she locks her secrets. Her husband Ricardo spend years hidden in his house with his children (Elenita and Lorenzo), trying to ... See full summary »
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
Rafael witnesses Marina - a woman with a glass eye - being attacked on the street by Daniel; her long-time acquaintance since the orphanage, where they were both raised as kids. He rescues ... See full summary »
The week of his 18th birthday, Bennie, who's a waiter on a cruise ship, has a layover in Buenos Aires. He seeks out his older brother, Tetro, whom he hasn't seen in years. Tetro, who lives with Miranda, is a burned-out case; he's hot and cold toward his brother, introducing him as a "friend," refusing to talk about their family, telling Bennie not to tell Miranda who their father is. Thoughts of their father cast a shadow over both brothers. Who is he, and what past has Tetro left behind? Bennie finds pages of Tetro's unfinished novel, and he pushes both to know his own history and to become a part of his brother's life again. What can come of Bennie's pushing?Written by
The flashback scenes were originally to be shot using 16mm film to emphasize past events, but it was decided that it would be more practical to shoot everything digitally and create a specific look for the flashbacks in post-production. See more »
Early in the movie Tetro stumbles into the kitchen with a broken leg and knocks over some furniture while lighting a cigarette using a burner on the stove. he ignites the burner by just turning the knob on the stove. A few minutes later Miranda must use a match to light a burner on the same stove-top. See more »
Thousand of miles away from Hollywood, the great Francis Coppola confronts something personal as a human being as well as a filmmaker. The story a young man looking for his older brother under the crippling shadow of a famous father. Hummm. Compelling, absorbing, mesmerizing at times. The younger brother is played with real magic by newcomer Alden Ehrenreich but for some inexplicable reason the older brother and title role is played by Vincent Gallo. He's an interesting guy but not at all the pivot that, clearly, the part required. I needed to feel things that Gallo didn't provide. He's just weird and even in the enormous emotional scenes (like the final one) he's not really there. I wonder why Coppola made this bizarre casting decision. The rest of the cast is fabulous and Buenos Aires breaths a life of its own even if, it didn't feel like Buenos Aires - I know that city pretty well - it looked at times like a border town in Mexico. Buenos Aires has an old fashion, seductive kind of elegance nowhere to be found here. I'm sure there is reason for it and I hope to discover it in my next viewing because this is a film I know I'll see many, many times. Another thing to cheer about, a strange and haunting score (it reminded me of "Apartment Zero" in more ways than one) and a sensational black and white Cinemascope screen. To be seen!
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