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I Think We're Alone Now (2008)

Not Rated | | Documentary, Comedy, Drama | 20 January 2008 (USA)
3:11 | Trailer
Two individuals, Jeff and Kelly, claim to be in love with the 80's pop singer Tiffany.


Sean Donnelly
1 win. See more awards »



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Credited cast:
Kelly McCormick Kelly McCormick ... Himself
Tiffany ... Herself
Jeff Turner Jeff Turner ... Himself


Every celebrity deals with his or her share of obsessed fans. "I Think We're Alone Now" is a documentary that focuses on two individuals, Jeff and Kelly, who claim to be in love with the 80's pop singer Tiffany. Jeff Turner, a 50-year-old man from Santa Cruz, California has attended Tiffany concerts since 1988. Diagnosed with Asperger's syndrome, he never had a girlfriend. Jeff spends his days hanging out on the streets of Santa Cruz, striking up conversations with anyone who has a moment to spare. Kelly McCormick is a 38-year-old hermaphrodite from Denver, Colorado, who claims to have been friends with Tiffany as a teenager. She credits Tiffany as the shining star who has motivated her to do everything in her life. Both Jeff and Kelly have been labeled stalkers by the media and other Tiffany fans. This film takes you inside the lonely lives these two characters, revealing the source of their clinging obsessions. This age-old story of unrequited love takes a comedic and emotional trip... Written by Abbey Luck

Plot Summary | Add Synopsis


Labeled "stalkers" by the media, Jeff and Kelly profess their love for the 80's pop icon, Tiffany.


Not Rated

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Release Date:

20 January 2008 (USA) See more »

Filming Locations:

Denver, Colorado, USA See more »

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Aspect Ratio:

1.33 : 1
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Did You Know?


References Embrace of the Vampire (1995) See more »

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User Reviews

Quirky Subjects Make This Documentary About A Burnt-Out Pop Singer Quite Interesting
21 January 2008 | by adamdonagheySee all my reviews

I THINK WE'RE ALONE NOW chronicles two over-obsessed Tiffany fans, who's sole purpose in life (or one of the top three life goals, according to one fan) is to marry the burnt-out pop singer.

I saw the film several days ago and I've already heard some criticism on the Slamdance grapevine. Several fellow filmmakers seem to think the documentary does less documenting and more exploiting of these two individuals. While I agree the film doesn't necessarily portray them in a positive light, I don't think they themselves portray themselves positively either--at least in the "normal" mainstream light.

Jeff Turner, a victim of Asperger syndrome, is a likable enough guy and I'd totally hang out with him because he's a vessel of knowledge. However, most of this knowledge is dedicated to his pseudo-relationship with Tiffany. He's taken great steps and read many books in an attempt to justify his idea that Tiffany loves him as much as he "loves" her. For example, Tiffany's appearance in Playboy was apparently a silent gesture of love for Jeff.

Towards the end of the documentary, we learn that he's begun a similar fascination with Alyssa Milano. He even thinks she's gone back in time in order to prevent his relationship with Tiffany! Jeff's innocuous attitude and gentle perspective on life really persuades the viewer to fall in love. He's kooky and fascinating and I really adore him and it's the opinion of this reviewer, that he's portrayed fairly and accurately.

Kelly McCormick, however, is really where I believe all the controversy lies. A hermaphrodite, Kelly already has to deal with a great deal of persecution already. She (I say "she" because Kelly's ultimate desire is to fully become a woman) too believes she's destined to be with Tiffany, but for a very different reason. After a bicycle accident that left her in a coma, she claims she had a vision of a woman who looked just like Tiffany (even though she'd never seen the pop star, nor heard of her) surrounded by a white light and all the other normal comatose visions people claim to have. This vision has thrown her into a tailspin of mental anguish and depression every day she's not with her love. At one point she really breaks down and while I did not feel it was appropriate to laugh as some did, it did disturb me a great deal.

A documentary, in order to stay true to its form, must be unbiased and objective about its subject(s). In this case, the documentarian, Sean Donnelly (this is his first feature film), does just that. He shows these people for who they are and they're more than happy to display themselves. Whether you like them or not, or feel sorry or pity for them, the fact of the matter remains: this documentary is a) true to its form and b) interesting.

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