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From Paris with Love (2010)

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1:26 | Trailer
In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.

Director:

Pierre Morel

Writers:

Adi Hasak (screenplay), Luc Besson (story)

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Cast

Cast overview, first billed only:
John Travolta ... Charlie Wax
Jonathan Rhys Meyers ... James Reese
Kasia Smutniak ... Caroline
Richard Durden ... Ambassador Bennington
Bing Yin Bing Yin ... M. Wong
Amber Rose Revah ... Nichole
Eric Godon ... Foreign Minister
François Bredon François Bredon ... The Thug
Chems Dahmani Chems Dahmani ... Rashid (as Chems Eddine Dahmani)
Sami Darr ... The Pimp
Julien Hagnery Julien Hagnery ... Chinese Punk
Mostéfa Stiti Mostéfa Stiti ... Dir Yasin
Rebecca Dayan ... Foreign Minister's Aide
Michaël Vander-Meiren Michaël Vander-Meiren ... Airport Security Official
Didier Constant Didier Constant ... Customs Official
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Storyline

James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he's told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee - large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming - where will it lead? Does the chess-playing James have what it takes? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Two agents. One city. No merci. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence throughout, drug content, pervasive language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

France

Language:

English | French | Mandarin | German

Release Date:

5 February 2010 (USA) See more »

Also Known As:

Iz Pariza s ljubavlju See more »

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Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend USA:

$8,158,860, 7 February 2010

Gross USA:

$24,077,427

Cumulative Worldwide Gross:

$52,840,139
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | DTS-ES | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Charlie tells Reese that his one vice is a Royale with cheese. In the movie Pulp Fiction, John Travolta tells Samuel L. Jackson that in France, a Quarter Pounder is called a Royale with cheese. See more »

Goofs

When they are following the Chinese waiter to the kingpin the Escalade is clearly in park, even though they are driving. See more »

Quotes

[first lines]
James Reece: [accepts printout] Thank you, Cindy.
Secretary: Welcome...
James Reece: [reading] African Aid Summit prep meeting with the Foreign Minister tomorrow at noon, Summit Conference on Wednesday, G8 Undersecretary conference dinner on Thursday, and a reception for the Secretary of State Friday, sir.
Ambassador Bennington: Can't you see we have more urgent matters to consider, Reece?
[moves his queen]
James Reece: Of course, sir.
[counter moves his queen]
James Reece: Check.
Ambassador Bennington: Must you always be so methodical?
[...]
See more »

Connections

References To Paris with Love (1955) See more »

Soundtracks

J'ai Deux Amours
Music by Vincent Scotto
Lyrics by Georges Koger and Henri Varna
Performed by Madeleine Peyroux
(c) EDITIONS SALABERT
(p) 2004 ROUNDER RECORDS CORP.
With Courtesy of Universal Music Vision
See more »

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User Reviews

 
I feel the love for you Paris but I'm not sure that I'm getting it back.
5 February 2010 | by Legendary_BadassSee all my reviews

You never know what you are going to get. With From Paris with Love, you see two distinctly different marketing strategies. One set of trailers and TV spot bills it as a hard-boiled action flick, with Travolta unleashing a fury of bullets. The other focuses on the much lesser known Jonathan Rhys-Meyers as he deals with the comedic situations placed on him through the Travolta character. If you can go in with an open mind, you'll see that both approaches ring true for better or worse.

Our story starts with a long dose of James Reece (Jonathan Rhys Meyers). He's the personal aid to the U.S Ambassador to France. Known for book smarts, his side task of spying for his country affords him the opportunity to place bugs and switch plates. At his flat, his girlfriend Caroline (Kasia Smutniak) has to deal with being kept in the dark. When the opportunity for more dangerous work presents itself, Reece is given a partner in the form of Charlie Wax (John Travolta). Wax is a fast-talking, trigger-happy, manic whose order to do as he pleases may just be too much for Reece.

The two J's make for a great team. On one end you have Reece leading the audience into the underground world of mayhem while trying to keep his wits about him. On the other there is the everyman's adrenaline junkie who may not be too old just yet. And for what it's worth, in a throwaway action flick, there's a genuine sense of fun in the air. However, the emphasis on mindless chaos puts a damper on the mood. There are numerous moments where the pace hiccups all the way to 11. I sure would have appreciated a briefing of sorts instead of a simple kill everyone mentality. Even with the agenda to smite the terrorists, there is an explosive moment near the end that exists for zero narrative purpose. Maybe Wax was having so much fun flirting with diegetic sound that he forgot to fire his bazooka, opting instead to save it for a more dramatic moment. You just can't have the kill happy hero abort and purse a target at the same time.

From the director of Taken, Pierre Morel, comes a tale based on a short story from Luc Besson. I'm not sure what that's going to mean to the average moviegoer, whether you factor in Morel's short resume at the helm or the sporadic nature of Besson's screenplays. What I saw from a crew standpoint was a throwback to the '80s and '90s action genre. Gun use doesn't provoke bullet-time effects. You can bet Travolta has a stunt double. Most importantly you can understand what's happening during the fights. I can't even count how many films edit around the action these days to the point that you have no honest idea of who's still standing. If you are sick of The Dark Knight method of shooting fists juxtaposed with fallen bodies, From Paris with Love will be a good movie for you.

Wax is a character that is unfortunately placed in the narrative's backseat. To better understand what I'm talking about, look at Lethal Weapon. In that film the two cop buddies have a developed background. We see their homes, we see Murtaugh's family and Riggs' dog. Well in From Paris with Love the only character you get to know the history of or see the private love of is Reece. At 92 minutes, there certainly could have been time allotted to explore Wax, but the screenplay shuns it. Maybe some time to cool down with his side of life would have helped reduce the jerky pacing. Man, I feel the love for you Paris but I'm not sure that I'm getting it back.


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