After experiencing what they think are a series of "break-ins", a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
A young woman returns to Tokyo, following a car accident that fractured both of her legs. While her brother Koichi provides hospitality for Haruka, weird noises and events transpire in the house - leading to a more horrifying truth.
In 1988, in California, cinematographer Dennis moves to the house of his girlfriend Julie to raise a family with her daughters Katie and Kristi. Little Kristi has an imaginary friend named Toby while weird things happen in the house. Dennis decides to place cameras in the house to capture images during the night and soon he finds that there is an entity in the house. Dennis's friend Randy Rosen (Dustin Ingram) researches the events and learns that his house might be a coven of witches and the children may be in danger.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The camera seen on screen during most of the film is actually a tiny Hi-Def camera hidden inside the body of a VHS camcorder; for the first few weeks of shooting Smith did not have a viewfinder to see what his footage would look like. "So what they had to do was they built, or they put in a screen, a little monitor in the viewfinder that was transmitting the video that it was recording in the body of this old VHS tape into this monitor. So I was basically watching a little monitor in the viewfinder. And it was like, week six when they figured that out." See more »
While Dennis is editing one of the video tapes, there's one on a table labeled "89" even though the film takes place in 1988. See more »
[documenting behind the camera]
You'll be spending a lot of time in here. This is gonna be your room. There's some kind of animal being de-liced or something. Compression chamber, that's your crib. It's hermetically sealed. And this is your paint color. What color is that, hon?
Jamaica bay blue.
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During the end credits, sound effects from the film can be heard. See more »
Includes an unrated director's cut and "lost tapes" (Dennis' pranking Julie and a commercial of his video company.) See more »
Of Paranormal Activity 3, I can tell you this much: Chances are, if the first one didn't do much for you and you found the second one to be kind of blah and repetitive, there's no way you'll like the third one. That's a fact. The setup and premise are familiar, even if the characters are not. So as such, I can understand someone's not liking this one much at all. But. I personally found the first and second ones to be pretty scary – even when, in the second one, I knew stuff was going to happen. It has to be a good film when you're surprised even when you expect something, right? So, right or wrong, I loved this movie. It gave me what I was seeking, and more.
Whereas the second film was set shortly before the first one, this film takes a look at the childhood of Katie, the protagonist of the first film. You may recall that as the first movie progressed, Katie became convinced that something was after her specifically – but she couldn't imagine why. This movie attempts to resolve that issue. And you sort of have to give credit to a movie that resolves some things while leaving other threads dangling just enough to make one wonder what the hey is going on.
It's 1988. Young Katie lives with her younger sister Kristi, her mom Julie, and Julie's boyfriend Dennis. Strange things are afoot in their house, around the same time that young Kristi begins communicating with an imaginary friend named Toby. Is it a normal kid phase, or is it something more sinister? As with the other films, cameras are placed around the house to capture anything odd that may happen during the night. (In a clever bit of ingenuity, Dennis takes apart an oscillating fan and places a camera on it so that he can pan from living room to kitchen and back.)
What makes a movie like this work for me is the same thing that made The Blair Witch Project work (and its sequel not work at all) – it feels voyeuristic, as if we were simply peeking in on some family's everyday lives. Reasons are given for the constant filming (Dennis tells Kristi, for example, that he's "testing" his new camera as they have a tea party.) We're automatically drawn to the video footage. What will we see? We're now ready for something – will it jump out at us? Will furniture be overturned? Or something even worse?
The mood is another huge selling point. People react as you'd expect them to. Dennis is obsessed with finding out what's causing those noises and other disturbances; Julie thinks he's completely off his rocker and becomes more testy as time goes by. People who also experience the occurrences, like a babysitter and a friend of Dennis, are stunned to the point of not wishing to discuss the matter further, hurriedly leaving as soon as possible.
Now, I can't say that everyone, even those who love to be scared, is going to love this as much as I did. For me, since we see almost everything through the lens of a camera, the terror – and the anticipation – are grossly heightened. When that door is opened, what will we find? It's not going to be pretty, but unlike a standard horror film where one can simply slough off a shock as being too fantastic, here we're so easily drawn in by and engaged with our surrogate family that we feel as terrified and mystified as they do.
Paranormal Activity 3 won't answer everything that the first two may have left unsolved, but it does offer hints as to why, in the present day, these events are still occurring to Katie and her family. We see a part of that genesis, and it's not really what I expected. I was unsettled and thankful I hadn't seen the movie at night. Okay, that might be a little hyperbolic, and when some of you actually watch the movie you'll laugh at me for being skittish. I don't care. I enjoyed the movie, and that's all I'm concerned with.
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