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While We're Young (2014)

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A middle-aged couple's career and marriage are overturned when a disarming young couple enters their lives.

Director:

Noah Baumbach

Writers:

Noah Baumbach, Henrik Ibsen (epigraph from "A Master Builder" by) | 1 more credit »
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1,554 ( 54)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Naomi Watts ... Cornelia
Ben Stiller ... Josh
Maria Dizzia ... Marina
Adam Horovitz ... Fletcher
Matthew Maher ... Tim (as Matt Maher)
Peter Yarrow ... Ira Mandelstam
Bonnie Kaufman Bonnie Kaufman ... Ira's Wife
Hector Otero Hector Otero ... Frank
Deborah Eisenberg Deborah Eisenberg ... New School Woman
Adam Driver ... Jamie
Amanda Seyfried ... Darby
Dree Hemingway ... Tipper
Matthew Shear ... Benny
Annie Baker Annie Baker ... Elise
Quincy Tyler Bernstine ... Pepper
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Storyline

Josh Srebnick is 44. He is married to Cornelia, 43, the daughter of Leslie Breitbart, a respected documentary filmmaker. The couple lives comfortably in New York Village and gives the image of happiness. But things are not so rosy as they look: on a personal level, their relationships have been cooling down while they suffer from not having children. On a professional plane, things have deteriorated as well. Josh, who is also a documentary filmmaker like his father-in-law, has lost inspiration: he has been grappling with his last movie for eight years now without being able to complete it. To be true, Josh goes nowhere and his marriage is on the rocks. Things start changing when Josh and Cornelia meet another married pair: Jamie and Darby, a generation younger, express their admiration for Josh (Jamie wishing to become a documentary filmmaker himself). Plus, they are much cooler, smarter and more uninhibited than the two forty-odds. Could they help Josh and Cornelia to revive their ... Written by Guy Bellinger

Plot Summary | Add Synopsis

Taglines:

Life never gets old

Genres:

Comedy | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 April 2015 (USA) See more »

Also Known As:

While We're Young See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$227,688, 29 March 2015

Gross USA:

$7,587,485

Cumulative Worldwide Gross:

$21,075,757
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Swiss censorship visa # 1010.602. See more »

Quotes

Cornelia: My dad likes saying, "The more, the more."
Josh: That's because your dad has everything and then he gets more.
See more »

Connections

References Izzy & Moe (1985) See more »

Soundtracks

Waiting For A Girl Like You
Written by Mick Jones (as Michael L. Jones) and Lou Gramm (as Louis A. Grammatico)
Performed by Foreigner
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
See more »

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User Reviews

 
A mature, insightful look at aging and youth, undermined somewhat by an ill-advised detour into semi-thriller territory.
7 April 2015 | by shawneofthedeadSee all my reviews

Getting older is an odd business. We know it happens to us, every day, every month, every year. And yet, it also sneaks up on us. Suddenly, we're the oldest people in the room, with the most out-of-date vocabulary, squinting and fussing when once we used to laugh and shrug it all off. Our zest for life is rapidly depleting, and time is running out. Writer-director Noah Baumbach's While We're Young is a wise, witty look at a couple caught in between generations - they're middle- aged, by any and all measures, but are still young enough to hear the siren call of reckless adventure and self-exploration. It's a shame that Baumbach's film winds up making a far less successful segue into the realm of a psychological semi-thriller.

Filmmaker Josh (Ben Stiller) has been in a state of arrested development for years. As his friends settle down with babies and careers, he's been making the same dense, complicated documentary for close to a decade, whilst his happy marriage to Cornelia (Naomi Watts) remains in the same gear as it has for ages. But Josh gains a new lease on life when he meets Jamie (Adam Driver) and his wife Darby (Amanda Seyfried), a free-spirited pair of twenty-something-year-olds who still sparkle with the possibilities of life, hope and renewal.

While We're Young is at its best when it makes thoughtful, sharp observations about aging. In the first half of the film, Josh rushes to keep up with his new young friends, dragging Cornelia along for the ride. Suddenly, they're shaken out of the rut of their lives, wearing jaunty hats, participating in mass spiritual retreats, and forcing their less flexible bodies into hip-hop classes. Baumbach skilfully juxtaposes this with Josh and Cornelia's increasing disenchantment with their old friends, Marina (Maria Dizzia) and Fletcher (Adam Horovitz), who are caught up in a frenzy of new baby worship. Baumbach's insights are nestled within his scenes and characters - tiny lines or moments will strike home for anyone who's felt out of place for age-related reasons.

What works less well is the moody semi-thriller (possibly titled Not Quite Single White Male) that Baumbach tries to graft onto his comedy about life and aging. It plays very well at first, as Jamie reveals himself to be - just like Josh - a documentarian, and one who - unlike Josh - seems to have everything work out perfectly at every step of the filmmaking process. It's a nice contrast, because it prompts Josh to keep questioning himself about whether he has, after all, squandered away his youth on something that was never meant to be.

However, Jamie's relationship with Josh takes on a more sinister tone as the film progresses. His intentions are called into question, with the shortcuts he takes and the friends he makes bordering on the questionable. It's good character work, to be sure, but ends up confusing rather than deepening the overall narrative. By the time Josh barrels toward an awkward showdown with Jamie, Baumbach seems to have forgotten the point he was making with the film in the first place.

Nonetheless, the film is a worthy vehicle for Stiller and Watts to really dig into their characters and relationship. It's nice to see Stiller really embrace a darker, deeper role that's not quite in his wheelhouse. He pulls it off very well indeed, lending great weight and an unexpected vulnerability to Josh's insecurities. Watts, too, relishes the part of Cornelia, one of the best-written roles in recent memory for a woman in her forties. The film may ultimately belong to Josh, but Watts' Cornelia isn't merely set dressing meant to evoke a life. She's a full-fledged person in her own right, tough and tender, with her own personal heartbreaks that make her the person we see in the film.

You wouldn't think it, given their wildly divergent career paths to date, but Stiller and Watts also share plenty of chemistry. He may be better known for comedy and she for drama, but it's evident here that they can each handle both with plenty of intelligence and polish. It's a delight, therefore, to watch them navigate the tapestry of their relationship, as Josh - fired by jealousy and paranoia - starts worrying at threads of it such that it begins to unravel before Cornelia's eyes. And yet, the fact that these two characters truly love and respect each other through it all is never in doubt.

Although While We're Young may not completely come together as a coherent whole, that doesn't detract from the quiet wonders of this smart, whimsical, bitingly real film. It's a pleasure to spend time with characters this real and rounded, to recognise in them the abandon of youth and the relative stability of age. In his offbeat way, Baumbach is warning us that trade-offs between the two may be less rigid than we have been taught to expect. Like the film itself, it's a welcome insight, one that's filled with both hope and maturity.


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