6.8/10
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73 user 59 critic

Kodachrome (2017)

TV-MA | | Drama | 20 April 2018 (USA)
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2:30 | Trailer
Set during the final days of the admired photo development system known as Kodachrome, a father and son hit the road in order to reach the Kansas photo lab before it closes its doors for good.

Director:

Mark Raso

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Cast

Cast overview, first billed only:
Ed Harris ... Ben
Jason Sudeikis ... Matt Ryder
Elizabeth Olsen ... Zooey Kern
Bruce Greenwood ... Uncle Dean
Wendy Crewson ... Aunt Sarah
Dennis Haysbert ... Larry
Gethin Anthony ... Jasper
Bill Lake ... Dwayne
Rob Stewart ... Lepselter
Vladimir Jon Cubrt ... Zeke
Al Mukadam ... Leo
Sebastian Pigott ... Elijah
Sebastian MacLean ... Guard
Paolo Mancini ... Clark
Elena Juatco ... Kim
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Storyline

The film is based on A.G. Sulzberger's 2010 New York Times article "For Kodachrome Fans, Road Ends at Photo Lab in Kansas" about a father and son who take a road trip to Kansas in order to develop photographs at Kodak's last Kodachrome lab before it closes its doors forever. Written by variety

Plot Summary | Add Synopsis

Taglines:

Over time, everything develops.

Genres:

Drama

Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada | USA

Language:

English

Release Date:

20 April 2018 (USA) See more »

Also Known As:

Kodachrome See more »

Filming Locations:

Toronto, Ontario, Canada

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Box Office

Cumulative Worldwide Gross:

$70,149
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The camera that Ben (Ed Harris) uses is a Leica M4-P , a rangefinder camera built from 1980 to 1986. As cutting cost strategy this is one of several Leica models manufactured mostly in Midland, Canada, instead of the legendary Leica factory in Wetzlar, Germany. See more »

Goofs

When Zoe examines Matt's old record collection, you can see several dozen LPs piled in a stack (in their sleeves, fortunately). No fan/collector would ever have kept his/her vinyls piled on one another horizontally, especially someone who eventually goes into the music business, it damages the grooves. You keep them upright (or vertical as it's called). See more »

Quotes

Matt Ryder: This was the last chance I'd have to see, uh... and how you measure up against the colossal bastard I've hated all those years?
Ben: How am I doing?
Matt Ryder: You're holding your own.
Ben: [whispers to himself] I know.
[to Matt]
Ben: You wanna know the sad part? I've actually been trying.
See more »

Connections

References Rocky III (1982) See more »

Soundtracks

Ackbar Didedar
composed by Richard Orange from the album ZEENITH by ZUIDER ZEE. Released 2018 by Light In The Attic Records. Performed by Richard Orange & Zuider Zee. © BMI for Orange Pop Shop Songs.
All Rights Reserved.
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User Reviews

 
Nothing new, yet compelling.

How much does a movie's originality in terms of storyline play into it's ultimate, overall quality? Should a film be seen only in terms of the movies that have come before it?

From it's title and poster to the actual film itself, Kodachrome sets itself up to be THAT kind of a road trip movie. The kind that features Hollywood jaw lines gazing into the setting sun as your quintessential bright red convertible speeds through a quiet countryside. This is accompanied with that melodious Indie track that rounds out the scene. Kodachrome is most definitely about something; it has meaning, it has purpose. The performances are affecting. The direction is largely unobtrusive and contents itself with letting the script do all the talking, exuding a tenderness that pervades and persists throughout the entire film.

Yet, all of these accomplishments are left denied by the aforementioned screenplay which not only resorts to a fundamental premise that is unoriginal but dialogue that routinely divulges into the perceived cliches of the 'road trip' movie. Characters repeatedly break into melancholy monologues about love, life and art, making biting observations on the human condition. From afar, the plot unfurls predictably and there is nary a moment where the viewer is surprised. Also, as a movie where the narrative is driven by the praise for tradition film format and analog technology, and despite having been aptly shot in 35mm film, photography as an art form itself does not play a more central role in dictating the nature of the storytelling. Given it's narrative simplicity, the experience could have been unique if the origins and vitality of preserving the old art form were entwined into the story, serving as an effective case for the preservation of the film format.

While these are my qualms with the movie, there is no denying that it is constructed with care and an eye for detail that could easily have been left out. The characters are fairly well realized through whom the movie commendably balances the humour with the drama. The performances manage to convey the gravity of the story and the simple confidence with which the movie progresses is sure to engage most viewers. Ultimately, Kodachrome stands as an undemanding, welcoming road trip movie; you won't feel new feelings, but you will revisit old ones, much the same way you might look at some personal Kodak photograph of old.


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